Rob Bottin

blu howling

1981 was the greatest year ever for fans of werewolf cinema. Bold statement? Possibly. Plain silly in light of Sybil Danning’s 1985 entry into the genre? Most assuredly. But if you were to make a list of the top five werewolf movies of all time it’s a near certainty that two of them were released in 1981. Late summer ’81 saw the August release of John Landis’ classic horror/comedy An American Werewolf in London, and just four months earlier Joe Dante‘s The Howling tore its way onto screens across America. While the two films are often spoken of in the same breath thanks to their chronological proximity and successful mix of laughs and terror, they’re also bonded through their unique but equally mesmerizing werewolf transformation scenes. A very young Rob Bottin handled the effects for Dante’s film, and they’ve never looked better than they do on Scream Factory‘s brand new Blu-ray of the film.

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It’s taken 33 Commentary Commentaries, 33 different movies we’ve heard all kinds of people from directors to actors to whatever was going on with Cannibal: The Musical, but we’ve finally gotten to AH-NOLD. That’s right. This week we’re looking into Total Recall, that mind-melting actioner from 1990 wherein Arnold Schwarzenegger uses a completely innocent bystander as a human shield, loses his memory, and saves just about every mutant living on Mars. He doesn’t save the girl with three breasts, though. That probably deserves a spoiler alert. But it’s time to hear what Schwarzenegger and director Paul Verhoeven have to say about the whole experience. With the remake headed our way this Summer, we felt it was time to find out everything we could about this modern classic. Maybe this time next year we’ll have a Total Recall 2012 commentary from Colin Farrell and Len Wiseman. Wiseman has already offered a commentary for his film’s trailer, but there’s no way in the world it’s going to be as entertaining as listening to Verhoeven and Schwarzenegger. No way. Let’s get our asses to Mars, shall we?

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For those of you new to the column, I am revisiting formative events in my life that have made me what I am today: A Special Effects Make Up Artist searching for relevance in the 21st Century. I left my home in a suburb of Gretna, Louisiana, traveled to Valencia, California where I attended the California Institute of the Arts. I am nineteen… Being in college, in California, in 1981, was like being in the front seat of an incredible roller coaster. Unlike how it was in New Orleans, where I would be lucky if I was able to get a hold of a genre magazine like Cinefantastique because it was not consistently available in news stands, now I felt like I was closer to “the hub” than ever. Magazines, trade papers, Hollywood poster stores, all were up to date with what was happening in motion pictures. There was also the benefit of being in one of the two (or three) “preview” cities for new films. Altered States, for instance, had opened in late November rather than at Christmas time when it opened wide, nationally. This, for a fan and initiate to Make Up Effects, was like being at ground zero.

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Junkfood Cinema

Welcome back to Junkfood Cinema; because who wants to live past 30? This is the weekly internet column that inspired The Biggest Loser. Every Friday I shovel a hot, heaping helping of cheese into your gullet and laugh as you struggle to tell me you are lactose intolerant. I will dissect exactly what makes it a bad film but then, like a person with severe bipolar disorder, I will proclaim my embarrassingly powerful love for it. And just when you think internet film journalism has reached an all time low, I hit you with a disgustingly tasty snack food item to compliment the film and wreak havoc upon your girlish figure. This week’s snack: Legend

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published: 11.21.2014
D
published: 11.21.2014
B+
published: 11.19.2014
C+
published: 11.19.2014
B-, C


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