Rick Porrello


Car bombs dominate the cinematic landscape in Kill the Irishman. They do so literally, as there’s practically a new explosion every ten minutes, and psychologically, as the fear of the bomb, the pervasive threat of a sudden and spectacular death, powerfully informs the lives of the gangsters in filmmaker Jonathan Hensleigh’s true portrait of the mob wars that rocked 1970s Cleveland. The thick, persistent tension which comes with the understanding that it could all be over at any second cuts through the familiar mob movie tropes. Despite the presence of standards such as clandestine meetings in dark restaurants and thickly-accented spaghetti-inhaling goombas, Hensleigh’s film — which he co-wrote with Jeremy Walters (based on a book by Rick Porrello, an Ohio police chief) — hews closer in tone to a war picture than Goodfellas. Thus, with notable visceral force, the film conveys organized crime’s sheer futility, the pervasive notion that it’s comprised of grown men with outsized egos engaged in deadly battles for scraps of nothing.

Twitter button
Facebook button
Google+ button
RSS feed

published: 02.01.2015
published: 01.31.2015
published: 01.30.2015
published: 01.30.2015

Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3