Justice League Alex Ross

If the development of Warner Bros.’ potential Justice League movie has been following the classic, serial storytelling structure, we’re now be at the point where the Joker and Lex Luthor have the League tied up and hanging precariously over a giant vat of acid. Will they be able to find a way to escape and triumph over the bad guys before their dastardly device dips them down into the deadly drum of despair? Tune in next week to find out! The basic timeline of The Justice League’s development goes like this: comic book competitor Marvel made the gross national product of a pretty respectable country by teaming up all of their biggest heroes for Joss Whedon’s The Avengers, so Warner Bros., who own the DC comics stable of characters, instantly became jealous. Over the past decade or so the only success they’ve had with comic book movies has come from Christopher Nolan’s Dark Knight franchise, and they want a much bigger piece of that superhero pie. Their answer to this problem? Team up all of the DC characters like Marvel did and stick them in a Justice League movie, ASAP. The original plan was to have The Justice League be released in 2015, and instead of having a series of solo movies leading into the ensemble film like Marvel did, they were going to skip right to the money-making team-up thing first, and then try to spin solo franchises out of that. The film wouldn’t come completely without groundwork being […]


When word first broke that Rise of the Planet of the Apes director Rupert Wyatt wouldn’t be returning to direct the sequel, Dawn of the Planet of the Apes, there was a moment of panic. But now that they’ve announced that Let Me In director Matt Reeves has stepped in to take the job, things have calmed down a bit, and it’s become time for work on the sequel to move forward. So, what’s the next step? It seems Fox has decided that it’s taking another pass at the script. While a first draft for the film was written by Rise writers Rick Jaffa and Amanda Silver, and a second draft was written for Wyatt by Scott Burns (Contagion), now that Wyatt is off of the picture the studio wants to tweak it once again, this time to tailor it to the strengths of Reeves. In order to get the job done, THR reports that they’ve brought on Mark Bomback, the screenwriter who collaborated with Len Wiseman on Live Free or Die Hard and Total Recall; who wrote Tony Scott’s last film, Unstoppable; and who co-wrote Fox’s upcoming super hero sequel The Wolverine.  Of course, what Bomback knows about tailoring a movie to Matt Reeves’ strengths is something of a mystery, but it should be noted that, given his placement on two big Fox properties, the studio must see him as being something of a golden boy these days.


Nora Ephron on Set

Nora Ephron‘s film career – despite three Oscar nominations and credit with re-inventing an entire genre – somehow doesn’t get the legendary status that it probably deserves. She only wrote and/or directed a few more than a dozen movies, but in those films she delivered iconic characters that achieved a sense of honesty that few filmmakers are even brave enough to approach. She fought myopic views about her sex to build fame as a journalist, an essayist, a novelist, a screenwriter and a director. She got started in screenwriting because everyone else was writing scripts, her film school was being on set with Mike Nichols, and her work made a huge impact on popular culture and faked orgasms. So here it is, a bit of free film school (for fans and filmmakers alike) from a comedy genius.


The proposed live action Akira being developed over at Warner Bros. is slowly and steadily becoming the most talked-about film project of all time. The ups and downs of bringing this beloved story to the big screen have been well documented, but the most recent news made it look like this project might finally be ending its wild ride. Reports came in last week that all work on the film had been halted, the entire thing was being rethought, and maybe it could get scrapped indefinitely. But that was last week. This week, Variety is reporting that a new strategy for resuscitating director Jaume Collet-Serra’s project is being hatched. It sure didn’t take long to get the roller coaster going again. Last week’s reports said that the main reason for Akira being halted was that it needed to, yet again, go through some budget cuts. But according to a source that talked to Variety, that’s not exactly the case. While trimming some more fat from the budget is certainly something that Collet-Serra and his producers are looking at, mainly the reason the film is being re-tooled is just that there are still problems with the script they’re working with. Reportedly there are still questions about some character elements and the film’s look. And that’s after this thing has already received rewrites from the likes of Steve Kloves and David James Kelly.

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