Return

There’s a solid chance that you haven’t heard of most of these movies. Yet they exist – out there somewhere as a thorn in the side of movie fans trying to see as much as possible. Nuggets of potential waiting to be picked up from the movie orphanage by a distributor and given a warm home with cup holders in every seat. The European Film Market is fascinating for that reason and for the way people attend it. Tickets this year were around $600, but that’s a reasonable price for companies sending representatives trying to find the next moneymaker for their company or the hot movie to bring to their festival. That means screenings come complete with people on cell phones and unimpressed buyers walking out after ten minutes to hustle next door to see if the other movie playing has any promise to it. It’s a bizarre way to watch movies, but it makes a kind of sense given the massive size of the movie list compared to the tiny amount of time to see everything. There were upwards of 675 movies in the EFM this year, all of them with their own selling points. Here are the 87 most interesting-sounding with descriptions found in the official catalog. For the most part, I haven’t seen these movies (and didn’t even know about many of them until the Berlin Film Festival), but they all have something going for them that should earn them a spot on your radar.

read more...

The premise of Return lends itself quite easily over to the plot synopsis of a Lifetime movie. Conveying the unsteady returning home of a soldier isn’t exactly breaking new ground, and it’s not the easiest type of story to tell. Night terrors, big breakdowns, and digging holes in the backyard, all tonally difficult and usually trite scenes. None of those scenes are in Return. In fact, writer/director Liza Johnson‘s film relies a good deal on silence, not so much on “loud” drama. For the film’s star, Linda Cardellini, that’s what she seemed the most taken with. As Kelli, Cardellini plays messy, flawed, and extremely difficult without ever giving a “big” scene to explain it all. Here’s what actor Linda Cardellini had to say about how to pronounce Cannes, how little details can inform a performance, and relying on silence:

read more...

Both last month and this month are shaping up to prove that this time of the year doesn’t only serve as a dumping ground for Mark Wahlberg action movies and another indistinguishable Katherine Heigl horror movie. So far we’re off to a great start for 2012, and I sure hope it continues that way. With another Heigl rom-com nowhere in sight, I believe we’re all clear for now. Honorable Mentions: Ghost Rider: Spirit of Vengeance (got terrible buzz out of Butt-numb-a-thon, but it’s still got Ciarán Hinds, one of the best actors around, playing the devil) and Chronicle (apparently it’s better than it looks).

read more...

I heard good things about Liza Johnson‘s Return after its Cannes premiere, and since then I’ve been watching out for it. Why? Well, for the most ultimate of starters, it starts Linda Cardellini, an actress I wish we saw more of. The last time I saw Cardellini appear in a film was in James Gunn‘s (awesome) SUPER, and that was only a cameo. She could make your heart wrench or fly on Freaks and Geeks, and it’s a real shame Cardellini hasn’t yet had any feature films to work with that give her that type of strong material to work with. But apparently Return does. Even the reviews that didn’t praise Return as a whole made special mention of Cardellini’s performance. The trailer for the film has an impressive low-key and claustrophobic buildup, and you can definitely see where the praise for Cerdellini is coming from. And, hey, Michael Shannon. Check it out after the break.

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 11.21.2014
D
published: 11.21.2014
B+
published: 11.19.2014
C+
published: 11.19.2014
B-, C


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3