Repo Man

Criterion 2013

The Criterion Collection is an ever-expanding accumulation of canonical works of cinema. Yet Criterion’s selections don’t only represent deliberate attempts to construct a pristine archive from cinema’s past, but also force a conversation with cinema’s present. These releases (and the cult of anticipation that develops around them) produces a distinctive contrast between the best of cinema history against the spoils of the current moment. And while 2013 did introduce us to some very good films (three of which made it into the Collection), the best selections of cinema’s past always have a lot of instructive lessons to offer the smorgasbord of cinema’s present. So here are some useful pieces of advice that we think current filmmaking should take from this year’s crop of Criterion releases.

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Over Under - Large

John Huston’s 1941 detective tale The Maltese Falcon gets credit for a lot of things. Not the least of which is the launching of both Huston’s career and the career of its star, Humphrey Bogart. It also gets credit for beginning the longstanding and successful onscreen pairing of Peter Lorre and Sydney Greenstreet, and heck, more often than not it’s pointed to as the beginning of the entire film noir movement of the 40s. That’s a lot of acclaim for a pretty simple mystery story about a salty detective named Sam Spade trying to find the whereabouts of a statue shaped like a bird. The late 70s and early 80s were a time when genre films were king. Not only were the titans of the industry, George Lucas and Steven Spielberg, tearing up the box office with huge event franchises like Star Wars and Indiana Jones, but lots of other directors were getting in on the act as well. Joe Dante hit it big with horror/comedy Gremlins, Robert Zemeckis struck gold with sci-fi/comedy Back to the Future, and even directors like Walter Hill made their names doing exploitation stuff like The Warriors. But, despite having the schlocky grit of something like The Warriors and the goofy humor of something like Gremlins, Alex Cox’s 1984 film Repo Man remains a movie remembered only by those plugged into the pulse of cult film. It’s a trivia question, an obscure pick, and not a cherished childhood memory like all the others.

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Repo Men

Jude Law and Forest Whitaker star as Remy and Jake the repo men, who have been both buddies and rivals since the fourth grade. Their corporate hack boss (Liev Schreiber) sends them on missions to retrieve the unpaid for organs of everyone from wealthy businessmen to hotshot musical artists to your everyday overweight schlubs. The men might believe they’re engaged in a respectable pursuit, but they are in fact angels of death forced to reclaim company property by any means necessary.

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Hold Onto Your Breakfast. It

Hold onto your breakfast. With Neil at Sundance, I can do whatever I want with the site, and I’ve decided to keep it classy by presenting this list of the Best Cinematical Barf Scenes.

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published: 12.22.2014
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published: 12.19.2014
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published: 12.18.2014
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