Rene Russo

Nightcrawler Movie 2014

Last summer Jake Gyllenhaal dropped out of Into the Woods to film Dan Gilroy‘s Nightcrawler. When the two production schedules clashed, the actor had to ask himself: should I make some bank off the huge Disney musical or take a pay cut to star in the directorial debut of the guy who wrote The Fall and The Bourne Legacy? Thankfully, Gyllenhaal didn’t base his decision on how many zeroes his check would have had. That’s not to imply Into the Woods is a project without artistic merit, but how frequently does a character as complex as Lou Bloom come along? It’s a question with an obvious answer, but a potentially moronic question is apropos for a discussion with Gyllenhaal, an actor who’s more than willing to ask questions others might deem stupid. Bloom features the DNA of Travis Bickle and Rupert Pupkin, but he’s his own scrappy animal. The young freelance crime journalist is naive, unrelenting, childlike, vicious, disgusting and admirable. He’s a self-starter who will risk his life — and sadly the lives of those around him — to capture the most valuable crime scene footage in order to produce the best story possible for a local news network. When the sun goes down in Los Angeles, Bloom goes on the prowl, ready to hit record on his camcorder at the sight of a dead body. In the eyes of Gilroy and Gyllenhaal, he’s a nocturnal animal. To take on the look of a hungry coyote, the actor dropped 30 pounds; he’d often run 15 miles to the set to maintain his figure. […]


Nightcrawler Movie

Someone will diagnose Louis Bloom soon enough, perhaps earmarking him as a straightforward sociopath, or pointing to certain tendencies that smack of Asperger’s Syndrome, or maybe he’ll even be written off of as someone with daddy issues, or mommy issues, or as someone just needs a hug. It doesn’t matter. Louis Bloom is a monster ripped from the pages of some modern fairy tale and splashed on to the big screen for audiences to forever delight in, even as he disgusts them. He’s an anti-hero for the ages, and the vessel that delivers him is a classic in the making. In Dan Gilroy’s directorial debut Nightcrawler, the screenwriter of such varied fare as The Fall and The Bourne Legacy takes on Los Angeles’ seedy underbelly with a fresh eye and a daring story, setting Jake Gyllenhaal as Louis “Lou” Bloom, a petty thief in need of a new career path. Lou is a lot of things: skinny, underfed, tired, resourceful, a fast talker, a quick study, a con man, a criminal and someone entirely without boundaries. Free of a social filter, Lou moves through the world in a different way than most people, and Gyllenhaal fully inhabits the role, slipping inside Lou seamlessly. It would be entirely terrifying if it weren’t so damn good.


Open Road Films

Last year we saw Jake Gyllenhaal‘s lose a significant amount of weight for his part in Dan Gilroy‘s Nightcrawler. When the film comes out this October people will likely be talking more about Gyllenhaal’s performance than how many LBs he lost. This is the project he dropped out of Into the Woods for, and it’s easy to see why. Gilroy’s script is an intense, darkly comedic, and flawlessly structured character study. It’s also Gyllenhaal’s juiciest role to date, playing an unforgettable character unlike anything we’ve seen from the actor before. The film largely takes place at night time in Los Angeles, where the seedy environments and protagonist, Louis Bloom (Gyllenhaal), dig right under your skin. This is an unsettling character operating in an even more unnerving world. He’s a freelance crime journalist, but calling him a journalist may be too kind; he’s basically a TMZ reporter for dead bodies.


This week, Fat Guy Kevin Carr grabs his codpiece and cape, then gets hammered in the cineplex with Thor. He also suffers from wedding overload with two new movies, Something Borrowed and Jumping the Broom. Though he probably should have put his shirt back on before seeing all the chick flicks. Finally, he takes a more esoteric and educational look at the Spanish Civil War drama There Be Dragons. Spoiler alert: There are no dragons in the movie.


The summer of 2011 will see the biggest assemblage yet of superheroes onscreen with the upcoming releases of X-Men: First Class, Green Lantern, and Captain America: The First Avenger. (At least until next year when The Avengers hits theaters.) Every movie is a gamble to some degree, but these three mitigate the risk a bit in that the X-Men film is the fourth in a popular franchise and the other two both feature highly recognizable actors in the title roles. But there’s one superhero movie this summer that’s flying with a hammer in place of a safety net. The potential hurdles include a relatively unknown lead actor, a director thought to be an odd choice at best and a terrible one at worst, and a hero built on magic and fantasy. Thor is a god, an honest to god deity, and that can be a hard sell in the science-fiction and technology-filled world of Marvel films. Thor opens with a brief intro in the Southwestern US with a pair of scientists (Natalie Portman and Stellan Skarsgard) and their snarky assistant (Kat Dennings) tracking an odd weather phenomenon. They drive towards the center of the storm and accidentally collide with a figure emerging from the darkness.

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

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