Reginald VelJohnson

die hard scenes

Tomorrow is the 25th anniversary of the release of Die Hard. Know how much it made in it’s opening weekend? $601,851. Of course, that was from only 21 screens in 20 cities. Can you imagine an action movie like this getting such a limited debut today? Well, nobody saw the movie coming, at least not on the level we see it at today, though Fox also hoped the slower roll-out would spark buzz. A modern day take on the western, with a lot of allusion to drive that idea home, the first Die Hard sort of originated a new subgenre of the right place, right time (and wrong place, wrong time) hero that has the action drop in his lap. It’s a real classic, one that truly needs to be added to the National Film Registry (nominate it here), thanks to its influence on the next three decades of cinema (and beyond, since even this year we had a few more Die Hard knockoffs in Olympus Has Fallen and White House Down) as well as its own distinct craftwork (especially the team of director John McTiernan, cinematographer Jan De Bont and screenwriters Jeb Stuart and Steven E. de Souza, along with the Oscar nominated editing by Frank J. Urioste and John F. Link and the Oscar-nominated sound and visual effects, etc…) and its perfect representation of the time in which it was made (including the reflexive significance of the building it was shot at). It’s another movie that is so […]

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published: 04.18.2014
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published: 04.18.2014
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published: 04.18.2014
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published: 04.18.2014
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