What can one truly say about Shakespeare? He’s a writer whose work has survived centuries of history, and his stories are still being adapted, both directly and indirectly. While his dramatic work is what’s most delved into by filmmakers, his comedies are what’s most fascinating. The plot of Much Ado About Nothing centers on Don Pedro (Reed Diamond) serving as matchmaker to a few lovers in waiting. Pedro’s job involves matching not only the compliant, Hero (Jillian Morgese) and Claudio (Fran Kranz), but also the not so compliant, Beatrice (Amy Acker) and Benedick (Alexis Denisof). He sees what many do not and with the use of a few simple tricks to help push each couple in the right direction, he’s able to create a scenario in which love finds its way. Not focused on depth, Joss Whedon‘s take offers comedy gag after gag, and there’s barely any time when a joke doesn’t land perfectly. It helps to have the likes of Nathan Fillion, Clark Gregg, Denisof and Kranz in your cast. The actor spotlight begins early in the film, where a character calls for music, they turn to the iPod and Gregg starts swaying – creating an inextricably funny moment solely from his expression intertwined with his movement. So many comedies are unable to have more than a handful of memorable moments like this, but Much Ado About Nothing has dozens.