Red Riding

We love television, but we love movies more. And we love movies a lot more than awards for television. So, why would we watch the 2012 Emmy Awards when we can just watch any number of this year’s nominees in their great film works, a lot of which are streaming on Netflix. Classics that you’ll find from the Watch Instantly service featuring Emmy nominees include Platoon, Fatal Attraction, Reservoir Dogs, Black Hawk Down, The Terminator and plenty others. But I noticed a bunch of recommended titles with the special circumstance of involving two or more Emmy-nominated talents, including a few from the contending directors. Speaking of which, I could have counted Louis C.K.‘s Pootie Tang, but I still haven’t seen it. Maybe that’s what I’ll be watching this evening. Check out the list and links after the jump.

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Culture Warrior

A very strange thing happened at this year’s Golden Globes ceremony. Somewhere between Ricky Gervais’ biting monologue/critique and Robert De Niro’s uncomfortable lifetime achievement acceptance speech, an epic international arthouse film won the award for Best Made for Television Movie or Miniseries, beating out the other nominations in the typically HBO-dominated category. Olivier Assayas’ Carlos is, from an American perspective, quite difficult to classify. We first heard about it when it was met with rave reviews at Cannes and other festivals, then it was distributed theatrically through IFC (in its original 5 ½ hour run time) while it had a three-episode “miniseries” run on the Sundance Channel just as it had done in France when originally commissioned for French television. Now, before an explicitly planned DVD release (though there is some certainty that the film will be the latest IFC release to get the Criterion treatment), it’s available streaming in its three-part miniseries form via Netflix (which is how I eventually saw it). All this is to say that it’s quite a task to say with any certainty precisely what Carlos is and in which medium it belongs. The film was financed by French television, yet it’s shot in a widescreen aspect ratio (2.35:1) typically reserved for theatrical cinema, and its 3-episode structure doesn’t follow the expectations of brief closure at the end of each segment typical of, say, an American television miniseries (it comes across more like a necessary break for exhibition and an arbitrary break in storytelling). Now […]

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Join us each week as Rob Hunter takes a look at new DVD releases and gives his highly unqualified opinion as to which titles are worth BUYing, which are better off as RENTals, and which should be AVOIDed at all costs. And remember, these listings and category placements are meant as informational conversation starters only. But you can still tell Hunter how wrong he is in the comment section below. There are three DVDs worth Buying this week including the dark, modern noir of the Red Riding trilogy, the very funny spy spoof, OSS 117: Lost In Rio, and the complete series run of Thriller, but there’s also several flicks worth Renting including Harry Brown, Flashforward, Tormented, and yes, The Vampire Diaries. See all of this week’s relevant DVD releases after the jump…

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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