Plot Details

So far all of the news we’ve gotten about the development of a third Bill & Ted film has come from the franchise’s Bill S. Preston, Esquire, Alex Winter, so it’s about time that the other half of the equation, its Ted Theodore Logan, Keanu Reeves, got into the beans spilling game. The last we heard about the potential project, Galaxy Quest director Dean Parisot had been attached to helm, but the film, which was written on spec, still hadn’t found funding. Well, that’s still where we’re at as far as development goes, but recently Reeves talked to GQ (via Movies.com) about the project, and he managed to give us a better idea of what the script Ed Solomon and Chris Matheson wrote is all about. We already knew that the film would involve an aging Bill and Ted who are still trying to get their Wyld Stallyns thing together, but Reeves explains exactly where the duo is at as far as their music career is concerned: “One of the plot points is that these two people have been crushed by the responsibility of having to write the greatest song ever written and to change the world. And they haven’t done it. So everybody is kind of like: ‘Where is the song?’ The guys have just drifted off into esoterica and lost their rock. And we go on this expedition, go into the future to find out if we wrote the song, and one future ‘us’ refuses to tell us, […]

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After the recent announcement that Eli Roth would be making his return to directing horror movies with a project called The Green Inferno, all that we really knew about the new film was its title and the fact that Roth said he was inspired to make it during the time he spent in Chile. For fans of flesh-eating schlock (and due to some deft Googling, me), however, that was clue enough to suggest that Roth’s new movie might be taking some inspiration from the cult classic 1980 film Cannibal Holocaust, which used the term to describe the jungle, and the 1988 film Natura contro, which also went under the name The Green Inferno, and was sometimes marketed as Cannibal Holocaust II. Sure enough, a recent report from Variety confirms that this is indeed the case. The focus of Variety’s reporting is on the fact that Roth’s movie has had its German distribution rights bought by Constantin Films, but the interesting part of the article is the confirmation that this new The Green Inferno is indeed connected to those Italian films of the ’80s. The report says that Roth’s script follows the doomed adventures of an “idealistic student” and a “group of naive do-gooders” as their plane crashes in the Peruvian jungle and they get captured by cannibalistic tribesmen. Sounds kind of like The Grey, only if you trade out liberals for oil workers and cannibals for wolves. 

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When it was finally announced that Will Ferrell, Adam McKay, and company would be coming back and making a sequel to their 2004 modern classic Anchorman, the world rejoiced. But, with as many people as there are who love this movie, and with the way it’s continued to remain a relevant part of popular culture, why did it take so long to make a sequel? McKay spills some details on the long road to this highly anticipated sequel in a recent interview with THR. Apparently the delay between Anchorman movies came down to two things: first there was a lack of interest in sequels from the creative end of things, and then there were budget concerns from the accountants. Or, as McKay puts it, “the movie came out and did really good but then got even bigger on DVD and cable. So then, when he (Adam Goodman) was at Paramount, he said to me, ‘Would you ever do a sequel?’ And at first we were like, ‘No, we don’t want to do sequels, we have too many ideas. Why do sequels?’ And then finally, we kept hearing the question so much from fans, and we’re like, ‘Shit, man, there’s almost something original about doing a sequel,’ like, can-we-do-a-sequel suddenly became an interesting challenge to us. We got our heads around on it and said, ‘All right, we’ll do it,’ and Goodman was really excited. But then it went in the numbers machine over there.”

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Seeing as comedian/actor Zach Galifianakis is pretty much the closest modern equivalent we have to a mythical trickster, the things that he says should probably be taken with a grain of salt. Especially things he says in interviews, which he seems to hate doing. So, grain of salt firmly in place, in a cover story for Rolling Stone magazine Galifianakis has said that the plot of Hangover Part III would be about his character, Alan, getting locked up in a mental institution and the rest of the crew having to come together and break him out. Personally, I think that this sounds like a whole lot of nonsense that Galifianakis is pulling out of nowhere, but there is one quote in the article that rings very true. When initially talking about the possibility of a third Hangover, Galifianakis said, “They want to do a Hangover III. I’m getting fricking phone calls already.” The film already has a plot, and one of the leads is leaking it before the second one is even out of theaters? That’s not so believable. Execs are champing at the bit to get all of the main actors signed on to do a third film already? That’s something I very much believe. Despite the fact that The Hangover Part II debuted to a lukewarm critical reception, fans of the first film still came out in droves to get some more drunken obscenity. There is no way that the people in charge of writing and cashing the […]

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karatekid

With new plot details emerging, it looks like the filmmakers behind the Karate Kid remake are changing up their story by infusing it with cliches. Out with the old, in with the old.

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