Pillow Talk

Universal Pictures will turn a century old on April 30, and in advance of their 100th birthday, the studio has trotted out a new (shiny!) logo that touts their triple-digit age. Why they didn’t get Willard Scott to do one of those Smuckers Jam birthday label shout-out things on The Today Show, I simply don’t know, but there’s still time! Of course, that new logo is neat and all (and, again, shiny!), but what’s most exciting about this news is the studio’s announcement that they will also celebrate their centennial with the restoration of thirteen of its most famous films. THR reports that the studio has restored All Quiet on the Western Front, The Birds, Abbott and Costello’s Buck Privates, Dracula (1931), the Spanish-language Dracula (which was filmed on the same set at night), Frankenstein, Jaws, Schindler’s List, Out of Africa, Pillow Talk, Bride of Frankenstein, The Sting, and To Kill a Mockingbird. The studio plans to release the restorations throughout 2012. Many of the restorations will be sold in “collectible book style packaging with memorabilia.” Moreover, Universal is reportedly quite happy with the work on previously damaged films, particularly when it comes to crisper sound in Frankenstein and “appalling graininess” in To Kill a Mockingbird. Also, fans of Out of Africa can breathe a sigh of relief – as “Meryl Streep loses a weird wobble in her walk possibly caused by projectors that enlarged the sprocket holes.” I wish it was Universal’s 100th birthday every day!

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Every day, come rain or shine or internet tubes breaking, Film School Rejects showcases a trailer from the past. Most in this generation don’t even know what a party line is (or they think it’s something political) but a party line was right in the heart of the concept for this film. The trailer promises some great Doris Day singing, a sad sack Tony Randall, and Rock Hudson lying through his teeth to get the girl. You just can’t beat that. Think you know what it is? Check out the trailer after the jump.

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There’s a scene (video below) midway through the Doris Day-Rock Hudson romantic comedy Pillow Talk (1959) that has always fascinated me. Through the benefit of hindsight, it’s impossible to watch the scene as it was viewed contemporaneous to its release.

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