The bleak, grey world of Tyrannosaur will be familiar to anyone who’s spent time in the cinematic universe of British miserablism, that subgenre of grim movies set on the isles. Protagonist Joseph (Peter Mullan) inhabits a milieu of depressed flats and rundown pubs, living a hopeless existence on the estate in Leeds. Yet, the movie is the feature filmmaking debut of the terrific character actor Paddy Considine, who is not content to simply wallow in the misery. The director transforms what, at first appears to be the straightforward portrait of a violent man, into an affecting love story that chronicles his subtle redemption. In doing as such, the filmmaker has given an exceptional vehicle to Mullan and Olivia Colman, who plays a shopkeeper named Hannah. Considine’s characters are not simply defined by first impressions and easy conclusions; instead, they’re afforded the opportunity to grow and change, to reveal the reservoirs of experience, the unexpected strengths and profound, hidden weaknesses that collectively define their lives.