Paul Weitz


What if Tina Fey and Paul Rudd finally starred in a movie together – as romantic foils, no less – and it somehow managed to be just barely charming or funny or sweet or real? Too bad, that movie now exists and it’s Paul Weitz‘s Admission. Based on Jean Hanff Korelitz‘s novel of the same name, Admission features Fey as Portia Nathan, a go-getter of the highest order, a Princeton admissions officer who relishes her work (which she is, it must be noted, quite good at), while ignoring a number of hiccups in her personal life. When Portia finds out she’s up for a promotion (against her co-worker Corinne, amusingly and sharply played by Gloria Reuben), it makes the news that her dirtbag boyfriend (Michael Sheen, at his caddish best) has left her for a pregnant Virginia Woolf scholar go down just a bit more smoothly. But how can Portia make her work really stand out in the eyes of her boss (played, of course, by Wallace Shawn)? What can Portia offer that Corinne can’t? Well, Paul Rudd. Sort of. A former college acquaintance of Portia, Rudd’s John Pressman has recently started his own offbeat alternative school and he’s got one hell of a candidate for Princeton. Nat Wolff‘s Jeremiah is a charmer with a wealth of unique talents, a hunger for learning, and an adorable sprit. Oh, and Portia? He might be that kid that you gave up back in college. That you haven’t thought about for years. That you’ve never once mentioned wanting to see. And John knows it.


Admission Trailer

How could a modern woman possibly handle becoming a mother when it already takes all of your focus to reach your goals in the professional world? It’s a question that’s been one of the major preoccupations of Tina Fey’s work as an actress, and while there are no easy answers to it, watching Fey struggle is usually fertile grounds for comedy. It will always be true that taking someone who’s generally bumbling and self-centered and forcing a kid upon them—while traumatic for the child—is hilarious for the casual observer. But, by the looks of its new trailer, it seems like Fey’s new starring vehicle, Admission, might be treading on familiar ground one time too many. The deal here is that Fey’s character gave up a kid when she was in college, and now that said kid is teenaged and attending a hippie school run by Paul Rudd, Rudd has taken it upon himself to reunite mother and son. While Fey is generally incredulous about the idea at first, eventually she finds herself becoming attached to her long lost progeny…and she might even be developing some feelings for that charming and handsome guy who brought them back together.


Paul Rudd

Way back in January of 2011, we wrote up the possibility of Tina Fey taking on Admission – an adaptation of a novel with middling reviews about an Ivy League admissions officer who is shaken out of her rut when she runs into an old schoolmate and meets a young genius. Obviously development was slow-going, but the LA Times is announcing that the film is attempting to shoot this May after Fey concludes her work on 30 Rock. Plus, director Paul Weitz is looking to cast Paul Rudd as the co-lead. That’s a hell of a combination. In fact, it’s the kind of combination that all but ensures that the better parts of the book will be plucked out for use while the lesser parts will be blurred over by improvisation. The script itself comes from Karen Croner (who wrote One True Thing, a movie that earned Meryl Streep one of her many Oscar nominations). All in all, it sounds like a winning team behind an average concept, but it’s just exciting to see it close to getting off the ground.



Welcome to “Another Bullshit Night in Suck City,” or perhaps more appropriately, welcome to Being Flynn, complete with its own bullshit and own suckitude. Based on writer Nick Flynn‘s memoir (you know, the one called “Another Bullshit Night in Suck City,” as if you could forget such a title), Paul Weitz‘s film sets Paul Dano as Nick and Robert De Niro as his wayward papa, the irreverent and inappropriate Jonathan Flynn. Nick’s lived most of his life without his father, a man who has “manifested as an absence” for twentysomething years, and Nick’s been just fine with it. Relatively. Kind of. Fine – not really. But things are about to get much worse for Nick, because Jonathan is about to pop back into his life – and utterly ruin it in the process.



This week, Fat Guy Kevin Carr dresses up in a big red suit and sneaks into people’s houses. The only difference is that he sneaks into the houses of all the naughty girls. But before he can manage that undertaking, he sets his sights on the last wash of movies hitting the multiplexes this season. He travels with Jack Black to the Bermuda Triangle in Gulliver’s Travels then heads out west to catch a killer with True Grit. Finally, he brings his Christmas movie watching to a close by stabbing himself in the face with Little Fockers. Ho ho ho, the humanity!



Here we are back again in Focker-dom, that wonderful place of crushing comic awkwardness, painful slapstick and the no less excruciating specter of great actors slumming for paychecks. Surely, the world did not need Little Fockers, this second sequel to the somewhat overrated Meet the Parents, but like an obligatory stocking-stuffer it has arrived – to cash in for Christmas – and must be dealt with.



De Niro’s potentially attached to three upcoming films… Selma from director Lee Daniels, Another Night in Suck City from director Paul Weitz, and… wait for it… a sequel to the classic 1988 buddy comedy Midnight Run.



Kevin Carr takes a look at this week’s movie releases, including Saw VI, Cirque du Freak: The Vampire’s Assistant, Astro Boy and Amelia.



Ever fantasized about Salma Hayek with a giant beard? Of course you haven’t (wink), but if you’re still curious about it, check out the new trailer for The Vampire’s Assistant.



Casting off one of the worst names I’ve seen in a while, The Vampire’s Assistant has gotten a late-October date with audiences who are hopefully not completely burnt out on vampires just yet.


The original Green Goblin himself has signed on to play the role of Gavner Purl in Paul Weitz’s horror-fantasy Cirque du Freak.

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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