Friedberg ang Seltzer

You know their resume by now: Date Movie, Epic Movie, Vampires Suck; writing and directing duo Jason Friedberg and Aaron Seltzer are in the spoof business, and they’re famous for it because of how bad they are. Or, at least, they’re famous here on the Internet because of how bad they are. Out there in the real world their movies seem to be pretty well-liked, because each unfunny failure they churn out ends up raking in enough money at the box office to give them the chance to make more. The real world is a scary place. The cycle of abuse continues. Apparently enough teenagers used the release of Vampires Suck as an excuse to make out in the dark for it to be profitable, because Friedberg and Seltzer are getting yet another chance to regale us with their insightful take on the state of modern films. This time they’re going to be taking on The Hunger Games by releasing a parody film called The Starving Games.


Rudd and Poehler

Director David Wain has been a big name in the alternative comedy scene for a long time due to his work on The State and Stella, but he’s still looked at as something of a neophyte in the world of feature films. He’s directed one cult hit with his weird summer camp spoof Wet Hot American Summer, and one mainstream hit with his criminals-turned-mentors movie Role Models; but his last film, Wanderlust, kind of came and went with only a whimper. Let’s just chalk that up to the fact that it had Jennifer Aniston in the lead, though. Has anyone ever heard of a comedy she was in making any money? Undaunted by the terrors of possible obscurity, Wain is going back to the drawing board and putting together another project. Variety has word that it’s a comedy called They Came Together, and that it comes from a screenplay that has deep roots in Wain’s past. He co-wrote the film with fellow The State and Stella member Michael Showalter right after Wet Hot American Summer came out. It was a simple time, before Wain had to concern himself with things like studio concerns and mainstream relatability. Which begs the question – will this long unproduced script see Wain returning to his more absurdist comedic roots? And, if that’s the case, will a healthy dose of weird be what it takes to re-engage the eyeballs of a public who all but ignored his last project?



Find out if Dance Flick is more like Don’t Be a Menace or, hell, like White Chicks.



On today’s installment of The Diversion, we celebrate ‘Lost’ returning to TV screens everywhere.

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published: 01.27.2015
published: 01.27.2015
published: 01.26.2015
published: 01.26.2015

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