Parker Posey

Price Check

Editor’s note: Sundance premiere Price Check hits limited release tomorrow. Here’s a re-run of our Sundance review of the film, originally published on January 26, 2012. Michael Walker‘s feature directorial debut, Price Check, starts off innocently enough, sort of a twist on Office Space if Lumbergh was actually a nice guy who wanted his unmotivated employees to succeed. Eric Mabius stars as Pete, who lost his dream job in music and is now forced to work in a regional pricing and marketing division for a failing division of a multi-brand grocery store company. Like most people these days, Pete is concerned about finances – he’s the only breadwinner in the house, and he and his wife have credit card bills to pay and a three-year-old to raise and probably a new car to get – and the recent departure of his beloved boss isn’t helping matters much. Who is going to replace him? And how is that going to affect Pete and his life? If this plotline doesn’t sound just a bit boring, that’s okay, it is. But instead of beefing up his film with great lines and performances from more than just Mabius’ co-star, Parker Posey, Walker decides to go for some cheap switcheroos that left the audience at Eccles Theatre (where the film premiered) groaning.


Price Check Trailer

The trailer for Michael Walker’s (Chasing Sleep) latest comedy, Price Check, starts off looking like it’s going to be an ironic-in-tone workplace comedy along the lines of things like Office Space or The Office, but then, halfway through, there’s a shocker of a line that puts a whole new spin on the story and probably shouldn’t be given away. So we’re not going to talk much about what this movie is about here in this trailer write-up. What we should talk about though are the performances on display, and, more specifically, how fun Eric Mabius (Ugly Betty) and Parker Posey (Waiting for Guffman) look like they’re going to be in this. Price Check debuted this year at Sundance, where our own Kate Erbland saw it and called it “laughably uneven,” but also made clear that it “features a solid comedic performance from star Posey.” If this trailer accomplishes anything, it successfully sells that performance. Posey’s going big here with the obnoxious enthusiasm and the uncomfortable directness, basically assaulting everyone around her with her personality, and it looks like Mabius is going to be a great foil for her, being the straight man who is, at the same time, conflicted and frightened by their interactions.


It’s really about time that the Sundance Film Festival honored perennial indie it-girl Parker Posey with some kind of, well, some kind of something! Wait, what? Posey has appeared in over a dozen Sundance films? Including one this year? Sorry, but for the star of Party Girl (a film I will defend until the day I die, falafels and rain-soaked books forever, amen), we really need to do something much, much bigger. An awards-hosting gig? Yes, yes, that will do just fine. Terrible and bizarre reporting gimmick aside, the Sundance Institute has today announced that Posey will serve as of host of this year’s Sundance Film Festival Awards Ceremony. The ceremony will take place on its traditional day – the last Saturday of the festival (this year, that’s January 28) at 7PM and will be available via live-stream to those not able to attend the festival. As ever, the Awards will be followed by the Closing Night Party, which is basically a good excuse for everyone still in attendance at the festival to get roaringly drunk and talk to each other (it’s also a bad excuse for everyone to get roaringly drunk and talk to each other). In addition to the announcement that Parker will host, the full list of the festival’s six juries has also been revealed. Names that will not surprise you – Fenton Bailey, Shari Berman, Cliff Martinez, Anthony Mackie, Cliff Martinez, Lynn Shelton, Mike Judge, and Dee Rees. Names that might surprise you – Justin Lin […]


Criterion Files

When I write this column, I typically don’t get the opportunity to write about movies from my teen years. I, like many, came into a cinephilic love for art and foreign cinema during college, and in that process grew to appreciate The Criterion Collection. Richard Linklater’s Dazed and Confused (1993), however, is a movie that’s followed me through various changes in my life for (I’m just now realizing as I write this) about half of my time thus far spent on Earth.


Junkfood Cinema

Welcome back to Junkfood Cinema, what’s that smell? Abandon all hope kids, you’ve reached the end of the Internet, somehow stumbling upon the column with the highest calorie count on the web. The cinematic selections found here are schlocky, cheesy and just plain bad but we kinda love them anyway, like Code Red Mountain Dew and slap bracelets. If that sounds like your cup of tea, then pull up a chair! Our usual host, Lord Salisbury, is otherwise occupied this week and I swear it doesn’t have anything to do with that boar attack. I’m left to pick through the sugary shards and try to point this lard barge towards the finish line. I’ll brutally savage this week’s carefully selected film with reckless abandon. But in the end, I’ll pick it up, dust it off and help it bandage the wounds. Then to top things off, I’ll choose a delicious snack of dubious healthiness for us all to enjoy, making us fatter as the movie gets dumber. This week’s tasty morsel: Scream 3


Sundance is fast approaching. But while I have forgotten to reply to emails or make a schedule, it appears as if the folks at Sundance are on the ball.



Josie and the Pussycats is the best movie ever! Josie and the Pussycats is the best band ever! Orange is the new pink! For some reason, Cole Abaius loves this movie. Has he been brainwashed by subliminal messages in pop music and Mr. Moviefone?


I’m getting really tired of remakes of Japanese horror movies. Fortunately, The Eye comes from Hong Kong.

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published: 12.19.2014
published: 12.18.2014
published: 12.17.2014

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