Paint Your Wagon

If there’s anything I hate most about the Oscars it’s the way the movie awards have the power to influence filmmaking. This time of year it’s more and more difficult to tell if certain films are even meant for us, the audience, or if they should solely be shown to the Academy in exchange for little gold men. Of course, one of the purposes of baiting for Oscars is to receive nominations and especially wins, which will presumably help earn more money at the box office (or, more likely, from the cable outlet). This still excludes satisfying the audience as the primary impulse and objective of making movies. In theory, accolades should indeed motivate Hollywood to make the best pictures they could possibly make. There’s still something to be said for art being the best when not aiming for praise and prizes, but in terms of studio product, which is more craft and entertainment than art and expression, such goals can be positive inspiration. Without the Oscars we probably still would have seen a profit-aiding progression of special effects technology and artistry, but surely some production values have improved over time as a result of sound recordists and costume designers and art directors and composers and songwriters striving to be known as the best in their field.

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Fraker was not only a visionary, he had the range and ability to shoot any project put in front of him.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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