Olivia Wilde

It seems as if Anna Kendrick is on a mission to prove to us that she’s the most versatile, multi-talented actress working in Hollywood today. Not just content to turn heads and get an Oscar nomination for her performance in Up In the Air, Kendrick has also been a tween idol in the Twilight series, made us laugh in the strange and hyper-stylized Scott Pilgrim vs. the World, straddled the line between comedy and jerking tears in 50/50, and she’s even set to prove that she can sing in the upcoming Pitch Perfect. When all is said and done, she will have appeared in five films over the course of this calendar year, and all signs point to the fact that she won’t be slowing down any time soon. Case in point, Deadline Deering has word of a new project that has scooped her up as its star, an indie comedy going by the name of Drinking Buddies. Set to be largely improvised and shot in Chicago later this summer, Drinking Buddies stars Kendrick and Ron Livingston (Office Space) in a story that’s said to be about a “fun and flirtatious friendship that goes off the rails.” It’s being directed by king of the micro-budget comedy, Joe Swanberg (Hannah Takes the Stairs, Nights and Weekends), and it will also star Olivia Wilde (that chick from your dreams) and Jake M. Johnson (New Girl, Safety Not Guaranteed) in undisclosed roles.

read more...

You know how clumsy puppies can’t help but be adorable, even when  they do awful things? Basset Hound pups are a prime example. Their feet are too big, they trip over their own floppy ears, and even if they eat the legs off your sofa, it’s whatever. All a Basset puppy has to do is look at you and you’re halfway over it. Writer/director Alex Kurtzman‘s People Like Us is almost like that – forgivably clumsy when it’s falling all over itself and wrecking things, but cute in spite of itself. …except for that whole almost-incest thing. Holy crap, that thing. People Like Us is the story of Sam (Chris Pine), a fast-talking dealer of anything with no use and a past-due expiration date. He’s the Jerry Maguire of selling people bullshit – and entirely unpleasant when we meet him. When one of Sam’s underhanded business deeds comes back to bite him, his boss, played by a skeez-tastic Jon Favreau, gives it to Sam straight – make up for the lost cash, or an unhappy client is reporting them both to the FTC.

read more...

It only took legendary filmmaker Peter Bogdanovich over three decades to write another film about the ins and outs and ups and downs of the theater – and who can blame him after the massive bomb that was At Long Last Love – but Squirrels to the Nuts sounds just zippy enough to really make it. Bogdanovich has written the script for the new film and will also direct (a double duty he hasn’t pulled off since 1990′s Texasville), but it’s the film’s producers, Wes Anderson and Noah Baumbach, who should really set the tone for the film. Variety reports that the “quirky indie comedy” centers on a “hooker-turned-Broadway-thesp and the recurring intersection between those two facets of her life.” There’s nothing like prostitution to really keep you on your toes. Rising star Brie Larson will play the hooker with a heart of gold tap shoes, which sounds like yet another role that will show off the actress’s knack for excelling at very different parts (it’s not everyone who can turn in solid performances in both Rampart and 21 Jump Street  in the same year). Owen Wilson will play a Broadway director who, despite being married to another Broadway star (not yet cast), pays Larson for her non-theatrical work before eventually helping her get away from hooking.

read more...

Channel Guide - Large

Dr. Gregory House was a caustic, egotistical pill-popper who’d insult a dying woman to her face for his own misanthropic reasons but also because doing so would have provided him with some vital insight into her condition. There was brilliance behind that cantankerous behavior and if it weren’t for the Holmesian powers of deduction that allowed him to save lives (and his dreamy eyes), he would have been totally irredeemable. As it stands, he’s one of the most memorable and beloved TV characters in recent history. And now, after eight seasons and more than one hundred last minute diagnoses, Fox stalwart House has ended. Along with all of the standard medical puzzles, this year, the titular doctor, played as wryly as ever by Hugh Laurie, was incarcerated, then released from jail to find that many of the familiar faces at Princeton-Plainsboro Teaching Hospital had dispersed; he added a couple of new members to his diagnostic team (Charlene Yi and Odette Annable) and learned that friend and fellow M.D. Wilson (Robert Sean Leonard)—one of the only people that he ever truly cared about—was battling cancer. Although the episode that capped off this final season was far from outstanding (or even an episode that will be remembered in a year’s time), it was a suitable conclusion and a welcomed end to a powerful show that had been puttering along during these last several seasons.

read more...

What is Movie News After Dark? It’s a nightly collection of links and thinks from around the world of movie and television news and reviews. It spends its weekends racking its brain trying to cull together the strength to go forth with its usual Monday entry, knowing full well that it can’t spend all of its page space on Mad Men and Game of Thrones. This is a movie website, after all. We begin this evening with a shot from Rush, the racing movie about Formula 1 driver James Hunt starring Chris Hemsworth and Olivia Wilde. Director Ron Howard and his leading lady have been tweeting them like crazy. Including pics of Hemsworth and Wilde getting married as Hunt and his wife, model Suzy Miller. I chose the one above to highlight because it’s badass. 

read more...

Writer Alex Kurtzman‘s (Star Trek) directorial debut People Like Us looks to be a sobering yet bright drama about a previously estranged family being glued back together by the will of an absentee father. It stars Chris Pine, Elizabeth Banks, Olivia Wilde, Michelle Pfeiffer, Mark Duplass and Jon Favreau. As far as trailers go, this one is a winner. It’s engaging, evocative and the talent oozes right out of the edit. Check it out for yourself:

read more...

Jason Sudekis Olivia Wilde

It turns out that Relanxious isn’t just an obnoxious sounding made up word, it’s also the name of a new romantic comedy. Written and to be directed by Christopher Storer, Relanxious is the story of a woman suffering from extreme anxiety problems and a man who is an agoraphobic developing a relationship over the telephone. You see, instead of going out on dates, they just talk about what the dates they would be going on if they weren’t nuts.

read more...

For a while there, whenever somebody talked about the upcoming comedy about dueling magicians, Burt Wonderstone, it was often just viewed as the next starring vehicle for Steve Carell. He’s long been attached to the lead role of an aging illusionist whose less than fresh magic act has lost its steam. The questions of who would play the flashier, younger magician who takes his place in the hearts and minds of magic fans, or who some of the other characters would be, never seemed to get much attention. But once the movie got a director and another re-write, it became time to start filling out the rest of the cast. And they’ve been doing a pretty bang-up job so far. Big names like Jim Carrey and James Gandolfini have been mentioned as negotiating for the film, and at this point are assumed to be on board. Carrey will play the flashier magician to Carell’s outdated dud, and Gandolfini is said to be playing a casino owner. And now, joining those names are a couple more actors that you might have heard of: sex symbols Olivia Wilde and Steve Buscemi. Wilde is negotiating to play the role of Carell’s love interest (yeah, right!), a magician’s assistant who bounces back and forth between his character and Carrey’s. And Buscemi is negotiating to play Carell’s long-time partner, who ends up quitting the act.

read more...

Justin Timberlake and Amanda Seyfried in In Time

In Time squanders a promising metaphor on an abundance of sleek action scenes that seem to have wandered into the movie from a car commercial. Writer-director Andrew Niccol will always have a beloved, if underrated, place in the realm of modern day sci-fi crafters for his terrific eugenics drama Gattaca and his Truman Show script. But his career has floundered since then, and his latest flick fails to find the structural, atmospheric or plot-driven ingenuity to match its provocative premise.

read more...

This week, Fat Guy Kevin Carr puts on some 3D glasses to look at some puss… in boots, that is. He proceeds to rewrite fairy tale fiction to include more bodily function humor, an egg-shaped Zach Galifianakis and a hairy but still sexy Salma Hayek. Then, he heads to the reference department of his local library to discover who really wrote the complete works of William Shakespeare. When all signs point to Neil Miller as the real author, Kevin gives up, realizing he’s out of time. So he brings sexy back and heads out to kidnap Amanda Seyfried so he can occupy Hollywood and start a revolution together… or get arrested.

read more...

Andrew Niccol is one of the few futurist filmmakers working today. The man knows how to take ten steps ahead of everyone else. His concepts are imaginatively absurd, but in that absurdity, Niccol generally points to problems that plague us today and may grow in the future. The concept of The Truman Show seemed outrageous at the time, and yet that film has become a sad reality. Despite his forward-thinking, Niccol doesn’t have the easiest time getting films made. It has been six years since Lord of War, and a few projects between that time fell through for the filmmaker. Why? Because Niccol, as he himself says, is always creating too expensive of concepts. Now, he’s finally got one of those not-so-cheap concepts made. With In Time being his biggest film yet, he pointed out how like on every film, there are “trucks of compromises.” Here’s what Andrew Niccol — who I also spoke to at Comic-Con, so if you want to know more about In Time, read that interview — had to say about the difficulty of getting his ideas made, the desire of leaving for France, and why it’s easier to sleep when you have no conscience.

read more...

It’s not a feature film about Ayrton Senna, but it will do. Ron Howard has been slowly putting the pieces of his true-life Formula 1 film Rush together, with scarce word about casting beyond the principal roles of Niki Lauda and James Hunt, but with the film recently starting production, that’s changing quickly. Olivia Wilde is reportedly joining the film, and she may not be alone, as Howard is apparently hoping to add Russell Crowe in a somewhat amusing and pretty spot-on role. Wilde’s role is a plum one – she’ll play 1970s supermodel Suzy Miller, who Hunt (Chris Hemsworth) married in 1974. Though the two were in love, Hunt was a bit of a womanizer (okay, fine, he reportedly slept with thirty-three British Airways flight attendants during a two-week period alone). Needless to say, Hunt and Miller’s marriage was short-lived, and not just because of Hunt’s catting around, but because Miller subsequently fell in love with Richard Burton (the role that Howard would like to see Crowe take on). As if the romantic entanglements of the three didn’t sound complicated enough, Burton was still married to Elizabeth Taylor when he fell in love with Miller in 1975, and the actor was no less than twice the former model’s age. Yet, in a weird twist of fate, Hunt was reportedly already trying to get rid of Miller, so when she fell so quickly in love with Burton, they all agreed to get divorces, and Burton agreed to pay Miller the […]

read more...

Press conferences can be many things – informative, entertaining, boring, long, short, disastrous, fluffy, bullshit, and sometimes even honest. Happily, sitting in on the junket for The Change-Up, I found this press conference to be three of my favorites: entertaining, brief, and honest. With a movie like The Change-Up, you’re really going to come across any ground breaking information – after all, it’s just a comedy. Not to belittle comedies or anything, but it’s not a gigantic science fiction beast, a gigantic budgeted translation of a famed comic-book, nor is it a gigantic spectacle of shit blowing up. If you’re looking for brilliant insight into the film-making process, you’re barking up the wrong tree. However, if you want to hear me talk about who the most attractive men in the room where, Leslie Mann’s breasts, and David Dobkin’s color pallete, well keep on readin’ on.

read more...

This week, Fat Guy Kevin Carr heads into a lab to liberate some apes, but they rise up, beat him down and fling their poo all over him. He washes up and heads home to his family, secretly longing for the swinging lifestyle of fellow FSR staffers like Neil Miller, Robert Fure and Rob Hunter. But since he doesn’t get a chance to pee in a fountain with any of them, he doesn’t get a chance to switch bodies with them, a la The Change-Up. This is probably a good thing because few people can take the awesomessness of his body.

read more...

Culture Warrior

A genre nearly as old as filmmaking itself, the western thrived throughout the years of the studio system but has zigzagged across rough terrain for the past forty or so years. For the last fifteen-ish years, the struggling, commercially unfriendly genre was either manifested in a neoclassical nostalgic form limited in potential mass appeal (Appaloosa, Open Range) or in reimagined approaches that ran the gamut between contrived pap and inspired deconstructions (anything from Wild Wild West to The Assassination of Jesse James by the Coward Robert Ford). But last December, True Grit – a bona fide western remake that relied on the opportunities available in the genre’s conventions rather than bells, whistles, or ironic tongues in their respective cheeks – became a smash hit. Did this film reinvigorate a genre that was on life support, as the supposed revitalization of the musical is thought to have done a decade ago, or are westerns surviving by moving along a different route altogether? Three westerns released so far this year – Gore Verbinski’s Rango, Kelly Reichardt’s Meek’s Cutoff, and, as of this weekend, Jon Favreau’s Cowboys & Aliens – suggest mixed directions for the dusty ol’ genre.

read more...

The mere concept of Cowboys & Aliens had potential for summer greatness. This could have been crazy, ambitious, and all kinds of weird. Imagine cowboys getting into shootouts with bug-eyed creatures packing high-tech weaponry. Sounds awesome, right? Only a tad of that awesome made it to the screen, and overall, it’s good. One would think director Jon Favreau would use his clout from two hit films to craft a blockbuster with a little audacity, but he didn’t. Like his other works, this is about as safe as most blockbusters come, and that’s fine, mainly because the director is still miles ahead of most journeyman filmmakers. There’s a clear passion for clean fun in his movies, something many blockbusters lack. Iron Man, Zathura, and Elf are all audience-friendly fare that don’t have a lick of divisiveness, and Cowboys & Aliens fits in comfortably with those films. Faverau is, at the end of the day, a solid popcorn filmmaker. Most of his efficiency behind the camera shines through in Cowboys & Aliens, as do a few of his weaknesses. Here’s a little of that awesome and a bit of the weaknesses. Note: This list does include spoilers.

read more...

This week, Fat Guy Kevin Carr runs screaming from little blue people invading his life and seeks refuge in the old west, hoping that James Bond and Indiana Jones will protect him. When he returns home, he has a fight with his wife and uses the events of Crazy, Stupid, Love to put his relationship back together. What a godsend Hollywood can be for marriage woes. Finally, Kevin curls up for a long nap after an exhausting summer movie season with many more arrests than he ever thought he’d incur.

read more...

If this has been the summer or the year of the “good, but not great” movie, Cowboys & Aliens stands just a bit taller than most. It wears its spurs a little prouder. It slings its gun a little faster. Whichever metaphor you prefer, Jon Favreau has crafted a loving new vision of the Western genre that delivers far better on character than the average summer blockbuster. At the very least, it works more on making the people on screen matter, even when sci-fi spectacle could have (and maybe should have) taken the reins. Jake (Daniel Craig) wakes up in the desert having lost his memory but gained an alien weapon strapped to his arm. When he’s arrested in the town of Absolution alongside Percy (Paul Dano), the sniveling son of wealthy landowner Woodrow Dolarhyde (Harrison Ford), the pair are ready for transport when the community is attacked by beings from another world. Their kin are taken, and they round up a posse to get them back.

read more...

What is Movie News After Dark? It certainly is not a nightly movie news column produced in someone’s mother’s basement. However, it is written by a man with a strict no-pants policy. Now please go forth and enjoy tonight’s news with that in the back of your mind. We begin tonight with Chris Evans, Captain America, and some of his costume from The Avengers. Earlier today, Marvel Studios released a teaser for next summer’s big superhero team-up that also includes the final scene from Captain America: The First Avenger. It’s perhaps the scene you’d expect to lead us forward on this path, but if you haven’t seen Cap, then you might want to skip on down to the rest of tonight’s stories.

read more...

This week, on a very special episode of Reject Radio, it’s our great honor to have Harrison Ford join Jon Favreau, Daniel Craig and Olivia Wilde to talk about Cowboys & Aliens in a special feature. Plus, The Smurfs director Raja Gosnell learns a lesson from the little blue creatures, and Eric D. Snider goes up against newly-minted Reject Kate Erbland for the Movie News Pop Quiz. Put on your chaps, saddle up and ride. Listen Here: Download This Episode

read more...
  PREVIOUS PAGE
NEXT PAGE  
Twitter button
Facebook button
Google+ button
RSS feed

published: 04.16.2014
C-
published: 04.16.2014
B-
published: 04.14.2014
B
published: 04.14.2014
A-

Listen to Junkfood Cinema
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
SXSW 2014
Game of Thrones reviews
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3