Nostalghia

Tom Hanks

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. Captain Phillips Captain Richard Phillips (Tom Hanks) knows his job captaining freighters through dangerous waters is a risky endeavor, but the pay is well worth the very slight possibility of pirates. At least it was before pirates board and take control of the ship. From that point on Phillips finds himself struggling to keep himself and the crew alive. Director Paul Greengrass‘ latest film is based on a true story, but even if you know the outcome it remains a suspenseful and exciting adventure. Acting is strong across the board (and on-board), but the highlight is Hanks delivering the most authentic and affecting five minutes of the past several years. You’ll know it when you see it, and your eyes will wet themselves. [Blu-ray/DVD extras: Commentary, making of]

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For a filmmaker who completed only seven feature films in his lifetime, Andrei Tarkovsky has made an enormous impact. In addition to his artistry, perhaps the enduring fascination with his work has to do with the story of a life cut short. After all, several European filmmakers who were born before Tarkovsky, like Jean-Luc Godard and Alain Resnais, are still around and making new films. Each of Tarkovsky’s seven films are brilliant works that each possess an ambition towards perfection and cinematic transcendence, but when bringing the filmmaker’s abrupt death by lung cancer into the equation it’s difficult to avoid the saddened feeling that there’s a great deal more time-sculpting he had left to share. So it makes sense then that the number of documentaries about Tarkovsky (or prominently feature the filmmaker) far exceed the number of films the director himself completed, and this fact gives a clear indication of his broad cinematic influence. These films are made because people want more, and desire to understand the depth of Tarkovsky’s work better. Films like Voyage in Time (1983), Moscow Elegy (1987), Directed by Andrei Tarkovsky (1988), and Meeting Andrei Tarkovsky (2008) have examined the auteur’s method, life, philosophy, and impact. But easily the best documentary about Tarkovsky thus far is French visual essayist Chris Marker‘s One Day in the Life of Andrei Arsenevich (1999), recently released on DVD by Icarus Films.

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Despite having only made seven feature films, Andrei Tarkovsky is largely considered one of the most important Russian filmmakers of the twentieth century, perhaps second only to Sergei Eisenstein (who was, aesthetically-speaking, his polar opposite). However, after enduring enormous troubles with Soviet censors, Tarkovsky expatriated to Italy, where he made his sixth film Nostalghia (1983) and later to Sweden where he made The Sacrifice (1986), which became his final film as he succumbed to lung cancer shortly after its production. Earlier this summer, one of Tarkovsky’s most beloved titles, Solaris (1972), was updated to Blu-ray by Criterion, and now Kino has updated their DVD of The Sacrifice to Blu as well, making this summer something of an embarrassment of riches for American Tarkovsky fans who have longed to see the filmmaker’s intricately beautiful work in high-definition.

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