What can I say about Beyond the Black Rainbow that hasn’t already been said about licking toads while watching a 70s slasher flick behind your neighborhood scientific research compound? Writer/director Panos Cosmatos‘s deranged trip down the rabbit hole feels like Cronenberg and Argento furiously impregnated a robot named TARKOVSKY. It’s homage at its highest form – work born directly from the visual and storytelling tropes of iconic artists that manages to feel brand new with the presence of a fresh personality. In the 80s-set film, and stop me if you’ve heard this one, Elena (Eva Allan) is held captive in a research facility by Barry Nyle (Michael Rogers), the demented product of a cult-like program born two decades earlier that sought to merge science and religion. As he slowly deteriorates mentally, blood starts spilling, but even if Elena gets a chance to escape, she’ll have him murderously on her trail.