Nora Arnezeder


Editor’s note: With The Words hitting theaters today, brush up on our Sundance review of the film, first published on January 26, 2012. Writing is a difficult task whether you have to do it for school, work, or simply because you have words in you that you must get out. But even if you are a writer, those words don’t always come easily and staring at a blank Word document or page is always intimidating. In The Words, we come to know Rory Jenson (Bradley Cooper), a struggling writer who has penned his first novel – a work that is good, but not good enough to get published. Slightly disheartened and with a new bride Dora (Zoe Saldana) to support, Rory takes a job in the mailroom of a publishing house, hoping to make some contacts and advance his career. While on their honeymoon in Paris, Dora drags Rory into yet another antique shop and Rory ends up finding an old leather briefcase that is classy and sophisticated – a symbol of a true writer and a gift Dora quickly buys for her new husband. As he later starts filling it with his own work, Rory comes to find a weathered manuscript he neglected to notice when he first purchased the briefcase. Upon reading the first page (typed on the back of a handwritten letter), Rory cannot put the manuscript down and reads it from beginning to end.


Aural Fixation - Large

Rory Jansen (Bradley Cooper) has done a terrible thing. He’s stolen another man’s words. And because of this deception, three different storylines unfold – one in the past, one in the present, and one in the future. However, when telling the story of a man willing to steal another’s words, it is hard to know how reliable our narrator is and as these three storylines start to blend with one another, the truth at the heart of it all seems to get more and more muddled. Throughout The Words, composer Marcelo Zarvos’ score provides us with sonic clues that attempt to point us towards that truth while also tying these three stories together. One of the most memorable parts of the score (and the film) is The Words’ theme. Within the first few seconds of the score’s second track, “The Old Man,” the theme hits you – a driving string piece that is both beautiful and romantic, but at the same time ominous and unsettling. This theme works as the first hint towards the true nature of this story. At first glance, The Words may seem like three simple love stories told through the perspective of three different generations, but as things begin to unfold, it becomes clear that nothing in this story is simple and the truth at the heart of it is much more complicated. (Listen for this theme to come back in a big way at the beginning of “The Bookstore” – possibly hinting at a link between these two pieces). Since we […]


Maniac Remake

How’d you like to be killed by Elijah Wood? You would have never seen it coming. For one, he’s one of the nicer guys on the planet. For two, we already saw how sneaky a murderer he can be in Sin City. He’ll most likely be a bit louder, ripping blood out of its veiny home in Franck Khalfoun‘s Maniac remake, though. Apparently, he’s also going to be slicing open mannequin heads. Just as everyone hoped he would. And co-star Nora Arnezeder will horrifyingly talk on a cell phone! Check out these first images from the production:

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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