Nic Pizzolatto


We’ve known for a while that True Detective isn’t doing the one-director-per-season thing, because that takes eons longer to film than an average TV show and HBO would very much prefer to run new episodes on a consistent schedule, not whenever a bunch of “time is a flat circle” mystics will it into existence, man. What we haven’t known is which directors will be stepping in to fill the Cary Fukunaga-sized hole left in the series. Until now. Potentially. The Hollywood Reporter names Justin Lin as the first director to be officially courted by HBO. The publication, sporting a stringy ponytail and jamming a penknife into a Lone Star beer can, says he is in talks to direct two episodes of the eight that are coming next season. Probably the first two, but it’s hard to tell amongst the crinkle of metal on metal and THR’s lengthy discussion of how life is memory that’s been locked away and left to rot, and all that remains is something something nihilism, alright alright alright.


Colin Farrell in Miami Vice

Would the word “Carcosa” sound cooler when spoken in an Irish brogue? I guess it doesn’t really matter. Because while Colin Farrell might be in talks for True Detective, the second season has been confirmed for a California setting. So unless creator Nic Pizzolatto was writing the series with an Irishman in mind, chances are Farrell will have to put on his best American accent for this one. Also, that whole Carcosa thing is over and done with, so there’s really no earthly reason for Farrell to be putting those syllables in that order. But yes, the announement is official. Colin Farrell. True Detective. In talks. In a story broken by Deadline, we have the first big piece of news for the HBO series’ second season (Sorry William Friedkin, but unless you’re willing to make your directing gig on the season official, Farrell wins the “first big news” statuette). And like anything and everything relating to True Detective, this news is shrouded in a veil of secrecy so thick you’d need a machete to hack through it.


True Detective

True Detective is in a slightly difficult position right now. The first season of HBO’s detective story was a fantastic eight hours of television. The central mystery itself was fairly routine, but that’s not what the first season was about: it was about seeing Marty Hart (Woody Harrelson) and Rust Cohle’s (Matthew McConaughey) wildly different world views conflict and come together. Each second with Marty and Rust is a treat. Their limited exposure (in an age of 9-season TV franchises) is part of what makes the experience special. Those episodes said everything we needed to know about their relationship. Since they’re not the focus of season 2, show creator and writer Nic Pizzolatto has to create a new dynamic that will be inescapably compared to the star-gazers. Considering how people responded to Marty and Rust, that won’t be easy. Right now all we know about season 2 is it’s set in California and focuses on two men and one woman. One of the show’s executive producers, Scott Stephens, participated in a panel at the Los Angeles’ Produced By Conference over the weekend. While he couldn’t discuss any specifics, Stephens did explain how much more challenging the production will be on season 2.


True Detective 1

Your theories were wrong. Well, probably. HBO’s latest opus of small screen cinema, the Nic Pizzolatto-created, Cary Fukunaga-directed, and Matthew McConaughey- and Woody-Harrelson-starring True Detective, ended its first season last night (unless you were trying to watch the season finale on HBO GO, in which case you might still be watching the flat circle of time known as the loading screen endlessly unspool) and after eight weeks of obsessive viewing, the first season finale is already the subject of intense hyperbole. The final episode, “Form and Void,” is less than a day old, and it’s already fiercely divisive – it was either the best possible ending or a tremendous letdown. The truth is, of course, somewhere in the middle – though that doesn’t mean that True Detective is not, on a whole, great entertainment. And although True Detective is the kind of often dense programming that benefits from closer reading and a few outside sources (“The Yellow King” post over at io9 remains essential), it’s also the kind that has suffered at the hand of relentless fan theorizing – because it’s those people who are most let down by its final conclusions.

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