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Sarah Polley in

A big new chunk of movies gets added to Netflix every month—which is awesome—but with the constant glut of new content, how are you supposed to know which movies are worth your time and which are just going to force you to hit stop after twenty minutes? This column will give you a place to start. I had to hit stop on a lot of bad movies in order to get this list together, so you owe me. Without further ado, here are 18 good movies to stream that were recently added to Netflix’s Watch-It-Right-This-Second service and should keep you entertained from start to finish. As always, click on the films’ titles in order to be taken to their Netflix page, where you can add them to your My List. Pick of the Month: Stories We Tell (2012) Stories We Tell is a documentary from director Sarah Polley that’s largely about Sarah Polley. Or, it’s about her origins, at least. Okay, a lot of it is about her mom, and how it came to be that Polley’s parentage became a point of contention among her older siblings. Is her dad really her dad, or might it have been this other guy? What kind of a life did her mother lead for this to even be a question? How does Polley herself feel about the ambiguity, and how would her relationship with her father change if she found out they weren’t biologically linked? This movie attacks the situation from a lot of angles, […]

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francesha03

I spent 30 minutes last night watching Frances Ha before I turned off the movie. I wasn’t into it. I just didn’t care for the characters or story I was watching. I appreciate that it’s considered a great film. I even enjoyed little bits, namely Adam Driver seemingly transformed into Jean Paul Belmondo (with a touch of Stranger Than Paradise‘s John Lurie and Richard Edson) simply by putting on a hat. The cinematography is terrific. Maybe it is a great film. Because I didn’t finish it, I can offer no criticism of the whole value of Noah Baumbach’s latest. I am only at liberty to state that I gave it a shot and didn’t like it enough to continue. That’s my prerogative, right? Given that a lot of the basic praises the movie is receiving in terms of people loving it, regardless of whether it’s a great film or not, I feel okay putting it out there that I just don’t. Still, I wonder if it was too easy for me to walk away — or “walk out,” if we want to make it about the movie experience. It’s hard to believe that I would have enjoyed Frances Ha any more if I stuck with it the remaining 50 minutes, but at least I could be better qualified to discuss it as a work of art. After Tweeting that I turned it off because I didn’t like those 30 minutes I felt like I had judged the Mona Lisa after only getting […]

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The Coroner

Genre buddy and fellow root canal survivor Rob Hunter came to my aid this week when it was time for title selection. I was stupidly about to put in The Wild Hunt, which has something to do with LARPing and virgins or something, when the Foreign Objects author suggested I try something a little more sub-titled. Dream Home is the story about the American dream taking place in Hong Kong. Young Cheng Lai-sheung (Josie Ho) is a phone representative for a bank in Hong Kong and all she wants out of life is a nice flat with a view of the ocean for her ailing grandfather to live in. She’ll stop at nothing to get that home, from scraping together every penny and working two extra jobs. After raising enough capital to buy into the flat, the sellers decide to ask for more money and Cheng reacts completely reasonably. For a psychopath.

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