Nemesis

City of God director Fernando Meirelles is just off the publicity tour for his latest film, 360, and already he’s looking to get work started on his next project, Nemesis, which is an adaptation of the Peter Evans book “Nemesis: The True Story of Aristotle Onassis, Jackie O, and the Love Triangle That Brought Down the Kennedys.” As you would probably expect from that title, Nemesis is set to be a drama focusing on the famous Kennedy family, or more specifically, the rivalry between Aristotle Onassis and Bobby Kennedy. At one point Kennedy investigated the magnate’s business practices and ended up getting him barred from trading in the United States, and the book goes as far as to assert that the conflict between the two escalated to the point where Onassis ended up financing Kennedy’s assassination. That’s heavy stuff involving some very iconic figures, so Meirelles is going to have to put together a pretty amazing cast in order to do the material justice. And, to that end, he’s taken to Twitter in order to stir up some interest from one of the best actors working today. This morning Meirelles tweeted the following, “Fazendo elenco de Nemesis. Que tal Fassbender para fazer o Bobby Kennedy?” I know what you’re thinking…those words look like gibberish. Well, it turns out Meirelles speaks this whole other language that isn’t even English. Luckily, through the magic of Google technology, we’re now able to translate that what he was tweeting roughly reads, “Making cast of […]

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Joe Carnahan

The first reaction of anyone coming out of The Grey probably won’t be, “I bet the director of The A-Team, Smokin’ Aces, and that BMW short Ticker made this!” Joe Carnahan prefers it to be that way. The director’s fifth feature film isn’t a full-blown action romp, but is instead a thrilling meditation on life, death, and survival. (Check out our review here.) Similar to Carnahan’s breakout feature, Narc, The Grey shows all the trappings of a true personal project — the kind of story that a filmmaker had to tell. And, after speaking with Carnahan for 25 minutes, that was clearly the case. From White Jazz to Killing Pablo, when the personable man finds a story that comes from his core, he’s got to get it made. Here’s what Joe Carnahan had to say about the life and death themes of The Grey, writing and portraying real men, and why he never wants to become a “one for them, one for me” filmmaker:

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