When assessing what present and future filmmakers can learn from David O. Russell’s ideas and practices, it really depends on which David O. Russell we’re talking about. Is it David O. Russell the mad genius auteur, who was as notorious for insisting on his vision as he was for getting in much-publicized spats with actors on set? Or is it David O. Russell the comeback king who, with this weekend’s American Hustle, seems all but guaranteed a third critically lauded and commercially successful film in a row? In several notable ways, the themes of David O. Russell’s films haven’t changed all that much – he’s still as preoccupied as ever with depicting various types of dysfunctional, untraditional, and ultimately affirming oddball “families” – but his filmmaking has changed greatly, a switch that he chalks up to lessons learned from the troubled shoot and reception of (the still-underrated) I Heart Huckabees as well as his unfinished film Nailed. Whatever you think of Russell’s films, he’s found himself in a position to speak about filmmaking from an encyclopedia of experiences (good and bad) and attitudes (egotistical to humble). So here’s a bit of free film school (for fans and filmmakers alike) from the guy who got Bruce Wayne and Katniss Everdeen their first Oscars.


As the cinematic summer season winds to a close, audiences everywhere will soon get to relive the joy of memory implantation, three-boobed ladies, and governmental double-cross. No, no, it’s not The Bourne Legacy (is anyone triple-stacked in that? Let’s hope so!), it’s Len Wiseman‘s take on Total Recall. This time around, no one goes to Mars and Ahnuld is nowhere to be found, instead Colin Farrell takes over as the mystified and misplaced everyman Douglas Quaid whose fun-time mind-trip ends up with some seriously unexpected consequences. Last weekend, Beverly Hills’ own Four Seasons Hotel played host to scads of press primed to interview the Total Recall crew about such things as what they’d want Rekall to implant in their minds, what it was like working with a married couple, and how the film’s lovely lady stars stay so young-looking. Of course, there were also interesting questions asked at the junket, and director Wiseman and his stars Farrell, Jessica Biel, Kate Beckinsale, and Bryan Cranston answered those, too. And also Cranston talked about Breaking Bad for twenty minutes and we all took it in, starry-eyed. After the break, check out 21 we learned at the Total Recall junket, from how Cranston thinks BB will end, what element of the film stands out as the major difference between it and the original (hint: it’s not that the film doesn’t go to Mars), what Biel knows about the status of David O. Russell’s Nailed, and the special cameo that Wiseman built into the film […]


What is Movie News After Dark? It is a nightly movie news column dedicated to featuring painfully overtread characters from the part of the Marvel universe owned (cinematically, at least) by the 20th Century Fox corporation. It might as well be called X-Men After Dark. Hmm… maybe Fox will buy some sponsorship rights. They need all the help they can get after X-Men Origins: Wolverine. “A good Wolverine film could be an amazing thing.” Duncan Jones said this mere days before he confirmed that he will take a meeting with 20th Century Fox about the possibility of directing The Wolverine, taking a director’s chair left empty by the departure of Darren Aronofsky. As geek cred goes, Jones has perhaps as much as anyone working right now following Moon and Source Code, and he’s smart enough to pull it off. Here’s hoping the project is a good fit and that Fox makes the right call.


Jake Gyllenhaal last foray into the action lead world wasn’t exactly a successful one. If you don’t know which film I’m referring to, it was the one where he had that interesting accent and played a prince of Persia. Still don’t recall that film? Understandable. But a year after seeing it, you may actually still remember director Duncan Jones’s Source Code and the lead hero of the film, Colter Stevens. Gyllenhaal is a charming guy. He’s the type of person you could throw a stupid question at who would give you back an interesting or, at the very least, a funny answer. Gyllenhaal rarely gets to show these charms on the big screen, which is a shame, but Duncan Jones smartly allows him to. Gyllenhaal’s Colter Stevens is the type of leading man all us nerds like: he’s brash, witty, vulnerable, and even acts like a jerk at times. During a recent roundtable interview at SXSW we discussed what type of hero Colter is, Duncan Jones’s style, the script, the ending, and what’s going on with Nailed. There are a few spoilers, but they’re all clearly labeled and skippable:


David O. Russell and James Caan

It’s been well-chronicled that Three Kings and I Heart Huckabees director David O. Russell has some ‘tude. But this time, according to James Caan, he has gone too far!


Hollywood may just be running out of ideas, having to resort to stealing plots from your favorite adult and late night Skinimax flicks.

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

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