My Soul to Take

This Week in Blu-ray

This week’s entry into the world of Blu-ray punditry is sponsored by the letter W, as in WTF. For those following along at home, that’s the internet acronym for “what the f**k?” It’s usually accompanied with a grammatically incorrect smattering of exclamation marks and a comment about how we should all start building an Ark. Quick, someone grab all of the typing cats. We wouldn’t want to lose those in the flood! Yes, this week is bringing about the apocalypse for plenty of reasons: horror movies that make me want to take a shotgun up the colon, dramedies that use David Bowie in strange ways, a Pam Anderson movie that doesn’t take place on a boat, the birth of internet porn and plenty of rape. WTF, indeed. Barb Wire This week’s big pick should be exemplary of the week as a whole. Because what kind of a week would lead me down the path of picking a mid-90s comic book adaptation starring a mostly nude Pamela Anderson — or more to the point, one of the worst movies of all times or any times, including future times. In a sea of releases, there wasn’t much to choose from, so why shouldn’t you head over to your local retailer’s bargain bin (where you’ll undoubtedly already find this gem) and pick up a movie. On your way home, you can go get a barb wire tattoo around your arm and a tramp-stamp on your lower back. It’s classy all the way, this […]

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Drinking Games

This week, we have a handful of horror movies from October’s theatrical slate hitting DVD and Blu-ray. As tempting as it would be to make a drinking game for Paranormal Activity 2, it might be a bit irresponsible of us to give you alcohol poisoning by telling you to drink any time you see video footage. So we’re talking a few shots at and for My Soul to Take, Wes Craven’s latest attempt to reboot his mastery of teen horror movies. Trust us, you’ll need some alcohol to get through this one.

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The Reject Report

Holy bungee jumping outhouse, Batman. $50 million can buy a lot of stitches for the painful stunts and soap for the gross ones. That’s how much money Jackass 3-D made this weekend, a new record for any October opening. We knew it was going to be big, and there was all likelihood it would end up coming out on top this weekend. However, now, in 2010, a decade after the original show premiered on MTV, the Jackass boys are riding stronger than ever. This could say so much about our nation. Do we like watching people humiliate, hurt, and horrify themselves for 90 minutes? Or is Jackass 3-D a welcomed release, the ultimate form of escapism that only comes our way every four years? This raises another question. Would the Jackass films be this successful if they were to come fast and furious like the Saw or Twilight series? Does that four-year gap between Jackass films help build the excitement for the next all the more, or does the gap stifle the sating of a public that would feast on it 24/7 if offered to them? The underlying, real-world implications and what this says about our culture (along with how this makes other countries view us) aren’t my forte. I’ll leave that to Landon. I’m just here to talk numbers, thank you.

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This week, on a very special episode of Reject Radio, Luke Mullen and Brian Salisbury stop by to dig into the problems of the MPAA, review three terrible awful no-good very bad films, and share with us 6 things they’ve seen on film that they can’t un-see. It’s incredibly effective, and you’ll be moved. Plus, we make jokes about Pepe Le Pew. En Francais.

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This week, Fat Guy Kevin Carr horses around this week with the legendary racehorse from the 1970s, hoping he too can go home with Diane Lane. After racing out to see Secretariat, he wonders if Katherine Heigl and Josh Duhamel would be anything more than a pretty couple. Then he gets down on his knees and prays: “Now I lay me down to sleep, I pray the Lord my soul to keep. If I should die before I wake, I beg you skip My Soul to Take.”.

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The Reject Report

Now I lay me down to sleep, yadda yadda yadda, Wes Craven’s still making movies. His latest hits this weekend, it’s in RealD, so you know it’s good, and it’s headed up against two films that probably have 100% less dismemberment and graphic violence against teens. Those movies, Life As We Know It and Secretariat (okay, there could be a subplot about that horse trampling some teens, and that would win it a few more fans), will more than likely favor better than My Soul to Take, but the real question is if any of them have the strength to take Fincher’s The Social Network off its friend-requesting mountaintop.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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