Here at Junkfood Cinema, we don’t often get “heavy,” as the kids say. By the way, the kids who say that are now very old people. It’s not that we shy away from the more serious aspects of life, it’s just that jokes tend to be our bread and butter; cookie bread and handfuls of butter-creme frosting respectively. However, there are moments when filmic oddities, those written off by most, offer startling new context upon revisit that, though categorically unfunny, deserve contemplation. These moments canonize what it is we love about the discarded, the forgotten, and the schlocktastic. In the cast of this week’s entry, we elevate our trivial hobby to an issue of life and death. And moonwalking. In 1988, there arrived on this planet a strange spectacle. It was called Moonwalker, and it was a…film?…starring the most famous person on the planet. The late pop icon Michael Jackson headlined just his second feature-length movie–again using the word lightly– since 1978’s The Wiz. Moonwalker begins with concert footage of Jacko performing “Man in the Mirror.” It’s ironic that a song about redefining one’s identity opens a film with no discernible clue as to what it wants to be. What follows is a montage of clips from his music videos as well as fan-made visual interpretative flourishes. Some of these are impressive, if creepy (the claymation accompaniment to “ABC” reminding us that before The Jackson Five, Michael and his brothers were somehow The California Raisins), while others are awful, if […]



While it may seem a little nonsensical at first for a movie site of all places to participate in giving the late King of Pop his due regard, it seems to me that on closer examination, the music and celebrity persona of Michael Jackson has played a significant but largely unexamined role in influencing cinematic expression.

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published: 01.25.2015
published: 01.25.2015
published: 01.25.2015

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