Monster Movies


Though Frank Darabont’s translation of Robert Kirkman’s “The Walking Dead” comic book from the page to the small screen for AMC was a process full of tumult—given that Darabont famously fired his whole writing staff after the first season and was eventually replaced as show runner himself—it’s hard to argue the fact that the foundation he laid in creating that show was a solid one, and has resulted in a huge hit for AMC that has captured the attention of horror fans all over the world. So it should come as no surprise that his next project is going to involve working with genre-heavy material once again. Deadline is reporting that he’s just been brought on board Legendary’s upcoming reboot of the Godzilla franchise to give their script a final rewrite. The script, as it currently stands, was written by The Seventh Son scribe, Max Berenstein. Darabont’s hiring is coming at the same time that Legendary is having disagreements with two of the producers on the film, Dan Lin and Roy Lee. The basis of the disagreement seems to be that Lin and Lee were two of the people at the beginning of Legendary’s deal to license the Godzilla rights from Japanese production company Toho, so they feel that they should be getting more money than Legendary is giving them, and Legendary feels like they’re in their rights to drop Lin and Lee, which would still leave three of their people on the project with producers’ credits as well as […]



Director André Øvredal’s Norwegian found footage horror movie, Trollhunter, was a lot more fun that most found footage horror movies, because it didn’t spend any time trying to convince you that what you were watching was real, it instead put all of its efforts toward making a dumb, fun troll movie with the best looking trolls that their modest budget could afford. So, on that level, it was a huge success, because Trollhunter is a big, dumb movie that’s a lot of fun to watch and all of the big, dumb trolls in it look pretty great. Which makes Øvredal a prime candidate to helm a live action adaptation of Tim Daniel and Mehdi Cheggour’s comic book “Enormous.” Originally published by Image Comics, “Enormous” is set in a world where humanity is being overrun by gigantic beasts who are wrecking our cities and eating our children. It’s kind of like Godzilla if Godzilla brought friends. According to THR, producer Adrian Askarieh is looking to take a Cloverfield-like approach to adapting the material, wherein the people being stepped on will get more of the focus than the monsters doing the stepping. That’s not the whole story when it comes to what he has planned, however.



Welcome back to Junfood Cinema. We break laws for meat. Column-owner Brian Salisbury is currently further North than the Northest of the Dakotas covering the Fantasia Film Fest in Montreal. If he knew what Canadians really did he might have rethought his trip. The most I know is that he was alive and well two days ago. Or do I? Canadians are weird and they harbor weird things. I know that because I’ve seen today’s movie that’s set in Calgary, directed by a famous author who writes famously weird stories and starring a famous director who directs famously weird movies in Canada and that makes me a certifiable expert on 1990 Canada. Everything else I learned about Canada I got from Dear Zachary and dammit things just got real and now I’m crying. But back to Canada being South of normal and North of Dakota, if today’s film is any indication as to the happenings of what goes on with the dead in that region of the world then, well, free healthcare is making a ton of sense. I know I’m supposed to plug something clever about how we integrate food in with the movie that we write about, but I just finished re-watching this movie and there is a big pile of man-poo-blob-cyst-slobber creature thing that resembles a Pod fusion between the Brundle Fly and a bowl of clam chowder. So, thank you Clive Barker and David Cronenberg, because appetite destructed. Now about this movie Nightbreed…



Legendary Pictures CEO Thomas Tull has been trying to get his Here There Be Monsters project going for quite a while. It’s a story of his own creation that tells the tale of John Paul Jones’ life as a Revolutionary War-era Naval Captain, but with a twist. In this telling of Jones’ story, there are added giant sea monsters and the like. As if Jones’ exploits weren’t exciting enough already. In order to shepherd his dream to reality, Tull hired veteran screenwriter Brian Helgeland to get together a script, and he’s been searching around for a director as well. At one point it was looking like Robert Zemeckis might come on board, but that never came to fruition, and not much has been said about the film since. Hope is not lost for Tull and his dream of telling stories where historical figures grapple with giant squid, however, as someone close to the situation is telling Vulture that the project has new life.



One of the biggest, most well liked movies of this summer was Joe Cornish’s hoods vs. aliens movie Attack the Block. Well, if you’re talking to only films buffs that is. I don’t think too many regular people ever heard about the movie let alone went to see it. But those of us privy to genre film weirdness totally dug Cornish’s unique yet sort of old school approach to doing an alien invasion/monster movie. Surely there’s got to be a cult of Attack the Block loyalists growing somewhere out there in the land of the Internet, and I bet they’re thirsty for more punk on gorilla dog violence. Well, according to comments that Cornish recently gave IFC, some random day happening an unknowable length of time from now just might be your lucky day! Probably.



Welcome back to Commentary Commentary, your weekly dish of directorial insight and/or, as indicated by last week’s column, shenanigans. This week we’re looking inside the mystery box with director Matt Reeves and uncovering what he has to say about our favorite recent monster movie, Cloverfield. Reeves did this commentary all by his lonesome, but something tells me J.J. Abrams was standing over him with a loaded gun lest Reeves divulge too much information. I’ll be listening intently for any Morse Code warnings or cries for help. Since this commentary track was laid down years ago, and since Matt Reeves has since directed Let Me In – more Morse Code messages. Hmmm – I have a feeling everything turned out okay. So here, in all of its Slusho wonder, is what I learned on the Matt Reeves commentary for Cloverfield. I wonder if there are going to be any Lost secrets. I hope there are Lost secrets. Or Star Trek 2. Okay, wishful thinking is over. Shutting up now.


Boiling Point

Previously, on Boiling Point… I bitched about Hollywood not releasing enough horror movies in October. This week, I’m taking aim at them for not releasing any monster movies – pretty much ever. I’ve come to ask where all the monsters have gone. Monster movies have a special place in any horror fan’s heart. Whether you’re a fan of giant mutated ants, hybrid beasts, strange aliens, or any crazy old weird thing someone dreamed up that crawled out of a swamp and raped a cheerleader, monsters are awesome. The bigger, badder, and bloodier the better. It seemed for years that even if you weren’t looking for a monster, one would come out of the darkness and tear your face off. Nowadays, you’re hard pressed to get your shit packed in by a mythical beast even if you go defecating on Native American burial grounds.



The release of horror movies into theaters can be a touchy business. Depending on a variety of factors – from the actual release date and rating of the picture to the general tastes of today’s movie audiences – it is sometimes easier to release a film direct to cable, DVD or On Demand. However, this often limits an audience’s chance to see a B-level horror flick in the actual movie theater. This week is different for the new monster movie Creature, which is the freshman directorial effort of Fred M. Andrews. The film, which tells the story of a group of beautiful people who go for a camping trip into the Louisiana bayou and come face-to-face with a local monster legend, is seeing a wide release in the U.S. Creature star Mehcad Brooks took some time to talk with us about working on this film and shooting in the swamp.



When the calendar page turns to October, we Rejects have only one thought: horror. To celebrate this grandest and darkest of months, we’ll cover one excellent horror film a day for the entirety of the month. That’s 31 Days of Horror and 31 Films perfect for viewing on a dark, chilly, October night. If you, like us, love horror and Halloween, give us a Hell Yeah and keep coming every day this month for a new dose of adrenaline. Synopsis: The police are investigating some mysterious disappearances in a small community. Is it a serial kidnapper? Extortionists leaving ransom notes? Briefcases full of money from drug deals gone bad enticing men to take off from home? Nope! It’s giant mutant ants.


Monsterpocalypse Game

On the one hand, Tim Burton directing an adaptation of a board game that is an adaptation of monster movies in general might be seen with incredible cynicism. Without looking into a crystal ball, you might already see the Gothic tones, the text reading “Starring Johnny Depp and Helena Bonham Carter” plastering the poster, and you might already hear the same score from Danny Elfman. On the other hand, a few small details might make you optimistic.



Remember how fresh and scary The Descent was? It looks like the people who made the trailer for The Descent 2 forgot.



Although the project is unnamed as of yet, Variety seems to have an incredibly detailed description of its projected plot, reporting that the movie will revolve around a “calamity” that ensues when “people ignore a monster due to their desire for money.”


This top secret movie now officially known as Cloverfield has got myself and uber-producer J.J. Abrams at odds.

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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