Missi Pyle

This week, Fat Guy Kevin Carr pulls out his screening schedule, which looks like a gambling addict’s racing form. He bounces from huge, mainstream releases to minor indie award contenders. Facing motion-capture CGI, tattooed bisexual investigators, cross-dressing waiters, silent film actors, and a lead star who is literally hung like a horse, Kevin tries to make sense of the seemingly countless releases this holiday week. Exhaustion from this process makes it impossible to buy a zoo or face the 3D end of the world, but his movie stocking is full, nonetheless.


On paper, Michel Hazanavicius‘s The Artist looks a fairly difficult sell. Tell anyone you’re off to see a black and white, silent movie that runs over 90 minutes long and they might look at you with a mix of pity and downright confusion, and it will probably take a Herculean effort by Warner Brothers and The Weinstein Company to convince audiences to come out to see it. But make no mistake, the film is as good as any cinematic experience gets, and will have a far more lasting effect on the world of film than any bloated 3D “epic” that screens out here. The Artist is an infinitely charming, and incredibly clever homage to the Golden Age of silent film: as authentic and believable as if it were made circa 1927, right from the opening credits which are so subtly unquestionable that you’re immediately gripped by the glamour and romance of the era, before we’ve even met a character. When we do, it’s Jean Dujardin’s George Valentin, an intoxicatingly charming mega-star of the silent period, who has the whole Hollywood world on their knees before him – the film subsequently charts his peek, before the advent of the talkies arrives, and he finds himself cast out overnight in favor of the new breed of speaking stars. Along the way he meets Berenice Bejo’s Peppy Miller, a wannabe who miraculously finds her way to stardom when she bumps into George during a photo shoot, and takes her fate in her own hands to […]


LA Comedy Shorts Film Festival

A few months ago while covering the Santa Barbara International Film Festival, Carol Marshall of Carol Marshall PR invited me to attend the LA Comedy Shorts Film Festival at the Independent Theater in downtown Los Angeles. I honestly wasn’t sure I was going to be able to swing it, and was uncertain as to my ability to attend almost until the last day.



Will Bloom struggles to reconnect with his father Edward Bloom as Ed’s entire life is retold in epic, tall tale-style, and Tim Burton discovers primary colors.

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published: 12.23.2014
published: 12.22.2014
published: 12.19.2014

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