Mike Wallace

Culture Warrior

There are those on the right who have said that Game Change is a partisan smear. At the same time, some on the left may have gone into the program expecting a SNL-style “look-how-dumb-Palin-is” work of predictable affirmation. But while hit jobs and hagiographies might make for effective 30-second political ads, they can’t sustain a two-hour block of television. Game Change, by contrast, is a gripping (though by no means perfect) two-hour block of television. But the term “block of television” does not necessarily carry the same connotations as “TV movie.” The distinction here is important. Game Change’s central thesis is not a political point about either John McCain or Sarah Palin as candidates (what could a TV movie possibly say that’s new or urgent in this respect?), but is instead a lamentation about how our political landscape is determined (on all sides of the ideological spectrum) by the media cycles of Celebrity 2.0. HBO has been preoccupied for quite some time by the major chapters in American history, rolling out expensive and impressive miniseries detailing the canonical moments that Americans learned about during their primary education: whether it be The Revolutionary War and the stories of the Founding Fathers (John Adams (2008)), WWII (Band of Brothers (2001) and The Pacific (2010)), or man’s journey to the moon (From the Earth to the Moon). However, HBO’s original programming has also taken microscopic examinations of recent, not-so-canonized history with smaller-scale projects like Recount (2008), Too Big to Fail (2011), and, of […]

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published: 04.17.2014
B-
published: 04.17.2014
D+
published: 04.17.2014
B-
published: 04.16.2014
B+

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