Michael Pitt

review i origins

Editor’s note: Our review of I Origins originally ran during this year’s Sundance Film Festival, but we’re re-posting it now as the film opens in limited release. Ian Gray (Michael Pitt) is a molecular biologist primarily interested in the function, capability, and evolution of the human eye. He’s worked on curing color blindness and takes photos of people’s eyes in his free time, but it’s his latest project that sets him on a spectacular course. Hoping to eliminate the sharpest arrow from creationists’ quiver of arguments against evolution (and for intelligent design), he sets out to map the various stages of human eye evolution. Karen (Brit Marling), a first-year student assigned to his lab, excitedly assists the project by searching for a currently sightless species that nonetheless feature the genetic material needed to create even the simplest eye. Running parallel to Ian’s work in the lab is his newly blossomed love life with Sofi (Astrid Bergès-Frisbey), a girl he meets at a Halloween party. The mask she wears prevents him from seeing her face, but some quality time spent bumping and grinding together atop a toilet combined with her memorable eyes makes the experience unforgettable for him. His quest to find her is aided by a seemingly predestined series of numbers, and soon the two are deep in love. He’s a pragmatic scientist, and she’s a believer in spirituality and fate, but after tragedy strikes those two worlds come together in unexpected fashion.


Michael Pitt and Britt Marling in I Origins

[Rob’s note: Fair warning, this trailer and post contain 2nd/3rd act spoilers that Fox Searchlight should have known better than to include in their marketing.] There’s a point that we get to in movie trailers where fantastical and awe-inspiring story becomes maybe a little too hokey and we’re left with the cheesy pieces. It’s hard to say if there’s one singular problem causing this phenomenon to happen or if attempting to cram every crazy event that happens in the film into a little over two minutes just makes it seem extra ridiculous. Such is the case with the trailer for I Origins, a film that will probably be perfectly enjoyable once it hits theaters. But packed in pint-sized form, things seem to be getting out of hand for this team of scientists and their host of crazed ideas. The story follows Michael Pitt as a biologist who spends his time studying the function and mapping of the human eye. In his time outside the lab, he’s falling deeply in love with Sofi (Astrid Bergès-Frisbey), a girl with beautiful, mesmerizing eyes — “the eyes that changed this world.” After some sort of tragedy befalls the couple, Sofi is out of the picture, but her eyes are still the focus of his strange life, especially when his pretty lab assistant (Brit Marling) points out that a child in India has the exact same eye mapping as his beloved. What that means is beyond me (and hopefully you; I don’t like feeling dumb), but it’s […]


Cahill and Marling

There are few films that I’ve come around on as much as I’ve come around on Mike Cahill‘s Another Earth. When the film bowed at Sundance 2011, it was as one half of the buzzed-about “arrival” of star and co-writer Brit Marling, who quite memorably debuted yet another film at the festival that she also co-wrote and starred in (the still far superior Sound of My Voice). While SOMV instantly captivated me (and continues to do so), Another Earth frustrated and, quite frankly, angered me. Its unique plot – a twin Earth is discovered heading towards our own Earth, and it soon becomes obvious that said twin Earth also contains a twin of everything else, including Marling’s unlucky Rhoda Williams – seemed utterly wasted, with Cahill and Marling more concerned with mining the non-drama of Marling’s inappropriate relationship with a guy whose family she accidentally killed. Another Earth only came, well, down to Earth in its final scene, and that scene’s masterful use of mystery and revelation made the rest of it all the more frustrating. We knew what the film could have been, and it simply wasn’t that. (Then again, the film did win both a Special Jury Prize and the Alfred P. Sloan Feature Film Prize at the festival, so what do I know.) And yet. Over the years, my disdain for Another Earth has given way to curiosity and respect. If it’s on TV, I am going to watch it. I want more from Cahill, even if I am not sure if I actually liked his first film (I think I […]


Bradley Cooper

What is Casting Couch? It’s a daily movie news column that that wants to make you a star, baby. Filmmaker Cameron Crowe hasn’t said much about his next project. We don’t yet have a title or a plot synopsis for it. But what we do know is that it’s said to be similar in tone to things like Almost Famous and Jerry Maguire, and it’s got Emma Stone playing a lead role (and it might just be a rewrite of his Deep Tiki script from years ago). So basically, expect something that lines up with Crowe’s best work and stars one of your favorite actresses. Sounds great. The new news regarding the project is that Crowe is reportedly close to finding his male lead. Deadline Hollywood says that he has his eye on Bradley Cooper, and he’s close to making a deal happen. Bradley Cooper and Emma Stone in a Cameron Crowe movie? Yeah, that should be enough to get the attention of every person of every gender and sexuality ever. Remember how we reported that Christopher Nolan’s regular DP, Wally Pfister, is going to be directing his first movie, it’s going to be called Transcendence, and it’s going to star Johnny Depp? Well, all of that stuff is still true, but the L.A. Times has dug up even more information. Turns out the film is actually going to have three leads, and Pfister is very game to get Christian Bale to sign on as number two of the three. Anyone out there want to see Johnny Depp […]


Seven Psychopaths

Marty (Colin Farrell) is a screenwriter with a serious case of writer’s block. “Seven Psychopaths” is his latest script, but there’s one big problem with it. The title is all he’s written so far. He needs some inspiration to make his characters and his story come alive, but where is an Irishman with a drinking problem and relationship issues going to find that spark of originality? As with most of life’s questions, the answer here is Sam Rockwell. More precisely, it’s with his good friend Billy (Rockwell). Where Billy goes trouble follows, and that trouble is currently in the form of a pissed-off gangster named Charlie (Woody Harrelson) who’s violently distraught over the loss of his pooch Bonny (Bonny the ShihTzu). It seems Billy’s primary source of income is a scam he runs with his friend Hans (Christopher Walken) involving the dog-napping and subsequent return for reward of wealthy peoples’ pups. Snatching Bonny has opened up a can of murderous worms as Charlie hunts down those responsible and Marty finds himself caught in the blood-spattered middle of it all. On the bright side he’s getting inspiration for all seven of his fictional psychopaths, but none of that will matter if he doesn’t live to finish the screenplay. Seven Psychopaths is exactly the film we should expect from the man who created the wickedly great In Bruges. It’s whip-smart funny, deliriously violent and deceptively heartfelt. And good god does it have the most aggressively awesome ensemble cast of all time.



Just like last year’s No Country for Old Men, Funny Games plays with the conventions of movie violence and asks us “Why” do we accept it? [Grade: A-]


Michael Haneke’s shot-for-shot remake starts with intensity and rolls on toward stupidity like a breakless freight train.

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published: 01.27.2015
published: 01.27.2015
published: 01.26.2015
published: 01.26.2015

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