Michael Morpurgo

War Horse is a sprawling war epic that’s so old-fashioned it belongs in a museum. Not only has director Steven Spielberg painstakingly recreated the look and feel of a classical picture of this scope, imbued with a heavy dose of mid-century British formalism, he’s essentially made a carbon copy of a David Lean movie. Such a nostalgic enterprise would be welcome if it told a story worth telling, with the strong, determined characters and bold cinematic brushstrokes of a Lean picture. Spielberg’s film does nothing of the sort — it’s a stodgy, ridiculous movie with a horse that simultaneously serves as an allegory for the bond that unites all mankind and a symbol of profound, idealized purity.

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