Boy meets girl. Boy and girl fall in love. Boy decides he wants to be a girl, and girl struggles with whether or not she can still love boy-turned-girl. This seems like such an obviously compelling storytelling scenario, a queer twist on an otherwise conventional love story, which makes it striking that a film like Xavier Dolan’s Laurence Anyways hasn’t already been made before (at least, not to my knowledge). Montreal, 1989. Laurence Alia (Melvil Poupaud of Arnaud Desplechin’s A Christmas Tale) is a novelist and literature teacher well into a passionate years-long relationship with Fred Belair (Suzanne Clément), an AD in the Quebec film industry. The couple plans a vacation, Laurence prepares his first novel, but something is amiss; something is tearing Laurence apart. While in the middle of a drug-addled, fiery exchange in a car wash, Laurence breaks down and reveals to Fred that he was never meant to be a man, that he despises the body he was given and longs to realize his true self as a woman.