Me and You and Everyone We Know

Private Eye Movie

Netflix continues to impress with its wide range of titles added each week. In the past two weeks alone there have been some solid documentaries, thrillers, comedies and independent film that have been made available. Lets take a look at a detective story from South Korea and also make a stop in Montana for a intimate documentary about identity.


interview_miranda july

It’s been a while since Miranda July‘s acclaimed feature debut, Me and You and Everyone We Know. That film had more than a few moments of sweetness and, for the most part, was quite hopeful. Her return, on the other hand, isn’t half as cheery. Why’s that? As July says, it stems from a tough experience during the editing of her first film, which kicked off our whole conversation about her process and whether she finds catharsis through filmmaking. Before speaking with July, I had just viewed The Hollywood Reporter directors roundtable. They’re usually exciting hour long conversations — and it helps when you have directors like Steve McQueen, Bennet Miller, Alexander Payne, Jason Reitman, Mike Mills, and Michel Hazanavicius all in a room together — but one awkward and head-scratching moment arose: When the moderator asked, “Why are there no women here?” As most pointed out, there were women filmmakers who could’ve been invited: Kelly Reichardt, Lynne Ramsay, Dee Rees, and, of course, Miranda July. This topic is only a small focus my conversation with July, but for a woman director to hear a moderator ask that question, as if no woman director was worth inviting this year ’cause their movies didn’t hit big, must’ve been hard to hear. For July, who describes the process of looking through those Hollywood Reporter photos honestly, it didn’t sound like a pleasant experience. Here’s what writer-director Miranda July had to say about about her creative process, when an idea becomes dead skin, […]



Solid relationships are built on compromise. Meaning, when your boyfriend or girlfriend tells you they want to go see Something Borrowed or Thor this weekend and your gut reaction is “I’d rather have an eagle bite out my liver every day for an eternity than see that movie,” well, you have to suck it up. Not just because you’re trying to keep the two of you together, but because the movie may actually turn out to be your cup of tea. Open minds, people. I’ve been the “movie buff” in many a relationship, but this weekend’s line-up reminded me of the many discoveries I’ve made thanks to the differing opinions and interests of past significant others. For every sappy mother/daughter road trip drama (Anywhere But Here), fairy tale relationship come true (The Prince and Me), or by-the-books rom-com with a song for a title (Sweet Home Alabama), my girlfriends took me to a movie that — gasp — continues to resonate in my memory, challenge the way I watch films and remind me that I should get over myself once in awhile. Pretty impressive. I hope one of them felt that way when I sat them down to watch Jet Li’s The One. As a reminder to myself and to all that we don’t ever really know what we’re going to enjoy the heck out of, here are eight movies I would probably never have seen on my own volition. And then I turn the table on you: what movie […]

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published: 01.26.2015
published: 01.26.2015
published: 01.26.2015
published: 01.26.2015

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