Now in its sixth season, Mad Men is probably one of the only shows on television that never jumped the shark – it remains as thoughtful and sophisticated a show since its first season. Sure, there have been some mistakes made along the way. But if I’m to judge from this two-hour premiere episode alone (sorry, this will likely therefore be on the long side), entitled “The Doorway,” I don’t think that there’s much to worry about in terms of the show not living up to expectations. In the premiere, a lot of recurring themes from seasons past are revisited – impending death, times that are a-changin’, infidelity, identity – though are these themes should be ever-present, as the show wouldn’t exist without them. Especially now since Vietnam looms even more heavily over the show’s landscape and harbingers of death become even more pertinent. And, yes, the premiere was pretty damn good. Written by showrunner Matthew Weiner and directed by veteran Mad Men director Scott Hornbacher, it featured elegant, filmic non-linear structure, as well as the intelligent writing that we have all grown accustomed to in the many years of drinking in this show.