Mariska Hargitay

Guess what everyone, the Emmys are back in town! Aren’t you excited?! No, that’s okay, neither am I. Just another night for some of Hollywood’s biggest talents to pat themselves on the back for making pretend (really good pretend, though). But you know what, we here at FSR will treat this with the utmost respect that we do all awards ceremonies. That said, before we get to the predictions, let’s take a look at some of the top winners from the Creative Arts Awards portion of the Emmys which were awarded last week: Futurama walked away with the top honor for animated program based on the episode ‘The Late Philip J. Fry,’ beating out front runners South Park and The Simpsons who dominated the category between 2000 and 2009. This also marks the second time Futurama has won the award for Best Animated Series. Maurice LaMarche also walked away with the award for Best Voice-Over Performance for his work on the series as Lrr and Orson Welles. Gwyneth Paltrow took the award for Best Guest Actress in a Comedy Series for her role as Holly Holiday on Glee. Game of Thrones took the award for Best Title Sequence. Boardwalk Empire took the win for Best Visual effects beating out the likes of The Walking Dead and Game of Thrones. Deadliest Catch won the award for Best Reality Series (a win that is more than acceptable in this category). Okay, now that we got that out of the way, let’s move on to […]

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Ten years ago the Law & Order franchise was the king of the cop show castle with the mother ship at the peak of its ratings dominance, Law & Order: SVU well into a successful third season and the new series Law & Order: Criminal Intent finishing up a successful freshman year. All seemed well in the world that Dick Wolf had birthed, but everything was starting to change. In the following ten years, the unstoppable force that was the mother ship series was cancelled after a hefty twenty-year run (had it gone on for one more season it would of surpassed Gunsmoke as the longest running scripted drama on television), Criminal Intent dropped in ratings and was forced to shift to the USA Network, new spin-off series Trial By Jury and Conviction were ratings bombs and the monstrosity of this past year known as Law & Order: LA was, well, a monstrosity. The only glimmer of hope the franchise had left lied in the hands of Benson, Stabler, Fin and the rest of the Special Victims Unit. The question is whether that’s a hope they should hold on to.

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Two years ago NBC threatened to replace Law & Order: Special Victims Unit stars Christopher Meloni and Mariska Hargitay when the two were at a stand still during contract negotiations. Over the last few months the same threat was issued. But unlike two years ago where an agreement was eventually reached, it has been reported by Deadline that Meloni has walked out of negotiations and he will indeed not be returning next season. The exit certainly comes as a shock considering Meloni’s twelve year run on the show. The exit was also reportedly one of a personal decision for Meloni who’s reps have stated “he is ready for the next chapter of his life.”

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This editorial contains spoilers for the season finale of Special Victims Unit so consider yourself warned. Before continuing with this piece I want you to take a long, hard look at the screencap below. Now sit back for a moment and take in everything that’s happening at that moment in time. Two dead bodies are on the floor, Olivia is over one and Elliot is over the other. Three dead bodies in the cage, Fin is on the phone trying to get EMS to the station, cops are running left and right trying to make sense of the chaos, and through it all we all know that we will return to the Special Victims Unit in September and it will be like nothing happened. But none of the characters in that moment will forget what they’re witnessing right now. And that’s the beauty of Law & Order: SVU and why it’s one of the standards of how to do episodic television the right.

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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