Magnolia Pictures

Prelude to a Wholesome Evening

Lars von Trier‘s Nymphomaniac is a five and a half hour sexcapade through the life of a hardcore (what else?) nymphomaniac and, by its very existence, dares producers to waggle their fingers in shame and cut away large portions of the film. So it comes as a surprise to precisely no one that, when Von Trier turned in his cut of Nymphomaniac, its producers immediately seized upon it, fingers primed and scalpels at the ready. But what may come as a surprise to some is that the paring down of Von Trier’s newest “sex epic” has nothing to do with sex and everything to do with money. An interview with producer Peter Aalbaek Jensen in the Danish magazine Filmmagasinet Ekko (conveniently translated for us English speakers by The Hollywood Reporter) sheds light on all the gory details. Von Trier’s cut of Nymphomaniac was first relieved of ninety minutes of footage, reducing it to a brisk four hours, then split down the middle into two separate feature films. No sex will be cut, or at least no sex will be cut solely for the sake of toning the film down. As well, previous plans to release a second, less explicit version of Nymphomaniac have been abandoned, and individual distributors will now decide for themselves whose junk will be blurred out and whose will be left intact.



Spanish director Mateo Gil’s look at the last days of Western legend Butch Cassidy, Blackthorn, has been picked up for distribution. The film made its debut at the Tribeca Film Festival, and is set to play at Cannes as well, but Magnolia Pictures has already scooped it up and is prepping it for a theatrical release later this year. The film stars Sam Shepard, who is no stranger to screen westerns, as Cassidy, and sees him supported by names such as Stephen Rea, Eduardo Noriega and Nicolaj Coster-Waldau. This is Gil’s first English language film, and the first feature length film that he has directed at all in 12 years. He is a prominent screenwriter, however, and has written things you might have heard of like the Javier Bardem film The Sea Inside, and the basis for Vanilla Sky called Abre los ojos. Why is Magnolia taking a chance on this film? The man who negotiated the deal, Tom Quinn, explains, “With an amazing cast and incredible locations, Mateo Gil has created a Western for the ages. Sam Shepard is unforgettable as Butch Cassidy, with a command performance that is a high point in an amazing career.” That sounds exciting to me, but I imagine that Magnolia picking up this film has a little something to do with the fact that True Grit just made a jillion dollars at the box office as well. Is this some early indication that the Coens’s success in the Western genre could be bringing […]



Mark Cuban owns a lot of things, websites, cable channels, sports teams, and even some movie related companies. Magnolia Pictures is a distribution company that focuses on distributing foreign and art films in the United States. Landmark Theaters is a theater chain that plays those foreign and art films, the biggest one in the U.S. actually. They are both part of Cuban’s holdings, but now he’s put them up for sale. As a movie fan, I find this news to be pretty scary.



Attack the Block needs subtitles for an American release. That’s the divisive concept that has caused me to lose hours of time to Twitter this morning. Everyone with an emotional stake in the matter — from the purists who say that a movie should be released unaltered to those who love the movie so dearly that they’d accept (almost) any solution that would get it out there in front of American audiences — has an opinion about the matter. And the truth is that Attack the Block doesn’t need subtitles. But distributors think it might. Traditional distributors. Which is part of the reason why this film deserves a home at Drafthouse Films. That and as Brian Salisbury explained in his review, the film is excellent. So excellent that it’s rallied passion behind its cause — people who saw it premiere in Austin at SXSW this week want one thing: for the rest of you to be able to see it.



Do I need to define the term ‘donkey punch’ for you? If so, you’re out of luck. It’s our place to entertain and enlighten, not educate.



Magnolia Pictures’ documentary release Man on Wire, which tells the story of Frenchman Philippe Petit’s daring dream of walking a tight-rope between the towers of the World Trade Center in ’74, has emerged as the ‘Best Reviewed Film of All-Time.’


Take a look, and enjoy.

Twitter button
Facebook button
Google+ button
RSS feed

published: 01.29.2015
published: 01.28.2015
published: 01.28.2015
published: 01.28.2015

Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3