Macy Gray

the paperboy

The Paperboy is, to put it bluntly, quite like a swamp. It is hazy, disorienting, and full of disgusting images. It is so densely packed and so haphazardly arranged that the experience of watching it is not unlike trying to find one’s way out of the Everglades with only a machete and a faulty compass. With this, his third feature, Lee Daniels has created a fictional universe in which rhyme and reason, focus and direction, and even basic character motivation seem like forgotten concepts. It is the sort of film that makes you miss Mystery Science Theater 3000. It’s amazing. Ostensibly, this is a Southern-fried film noir, riffing on such films as In the Heat of the Night and Mississippi Burning. Matthew McConaughey is Ward Jansen, a muckraking journalist for the Miami Times, back in his tiny home town to expose the wrongful conviction of Hillary Van Wetter (John Cusack) for the murder of the county sheriff. He was given the tip by Charlotte Bless (Nicole Kidman), who is currently engaged to Hillary even though they’ve never actually met. Ward’s partner is the dashing and difficult Yardley Acheman (David Oyelowo), a sort of British take on Virgil Tibbs. They hire Ward’s buff brother Jack (Zac Efron) as their driver. All of this is narrated by the Jansen’s former maid, Anita Chester (Macy Gray). In the ensuing detective drama not much actually gets investigated. It’s the summer of ’69, the air is sticky and sweltering, and the entire cast is in […]

read more...

After the critical and commercial success of Precious, director Lee Daniels most likely had offers flooding into his office. Considering the way he describes the post-Precious period, that was indeed the case. There were plenty of movies Daniels could have made and for large sums of money as well. In the end, Daniels decided to followup Precious with The Paperboy, a movie many have called “pulpy.” Pulpy material usually doesn’t equal commercial success, but after making a hit, Daniels decided to stick with his gut even if his gut told him to turn down millions. The Paperboy, as ludicrous as it certainly is at times, remains a personal story for Daniels. Some may not see through the sweat and violence of the picture, but he saw this as another tale filled with people he knows well and who we don’t see on screen often enough: characters with a death wish. The world those characters inhabits is one you’ll either love or hate. Here’s what director Lee Daniels had to say about his artist side superseding commercialism, when the magic happens on set, and why he really shows Zac Efron in his underwear so much:

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 12.18.2014
C-
published: 12.17.2014
B+
published: 12.15.2014
B
published: 12.12.2014
D+


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3