Lucas

Kevin Costner in TIN CUP

Here’s the thing. I don’t care about your sports team. It’s nothing personal, but I just don’t care about sports teams or sports in general. That lack of interest on my part extends far too frequently to sports movies as well though, and while I’ve found myself unexpectedly captivated on more than one occasion the ones that truly stick with me over time are the ones that actually aren’t about sports at all. Of course that assessment could be applied to just about every sports movie to some degree. Hoosiers for example is about underdogs, teamwork and faith in yourself and others, but basketball still courses through its veins. Rudy is another underdog story, something I’m a sucker for in general (as you’ll see below), but while it contains commentary on honor and racism it’s unavoidably a college football film through and through. It’s the seriousness and reverential attitude towards the institutions that put me off I think, and while I enjoy the human stories in films like these I feel they’re too often overshadowed by the iconic worlds of baseball, basketball, football, etc. and the blind devotion that follows. Or maybe I’m just bitter because while I do love watching and playing tennis the only movie I get is the Paul Bettany/Kirsten Dunst rom-com Wimbledon. Anyway, here are the ten best sports movies that choose people over the sport. The ones that entertain and emotionally affect without needing to honor the institution. The ones that those of us who […]

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discs strike back2

Welcome back to This Week In Discs! As always, if you see something you like, click on the image to buy it. Strike Back: The Complete Second Season Michael Stonebridge (Philip Winchester) and Damien Scott (Sullivan Stapleton) weren’t always best of friends, and while they still argue on occasion they’ve also learned that they can trust each other when the bullets start flying. Their latest adventure finds the duo along with their new commander (Rhona Mitra) running and gunning their way across Africa in search of stolen nuclear triggers. Technically the series’ third season, this is Cinemax’s second as the producing entity, and they continue to show why no one even talks about that initial UK season any more. They also continue to show that a TV show can actually best many a lesser action movie in nearly every aspect. The acting and cast here are solid, the cinematography is theater-worthy, and the action sequences are impossibly great for a television series. They also impress with their awareness of both weaponry and tactics that add to the feeling of legitimacy. Hell, Cinemax even ensures the show maintains their high (or low?) standards when it comes to T&A. [Blu-ray/DVD extras: Commentaries]

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Seeing as this is the first go around, you might be wondering to yourself what “Over/Under” is, and rightly so. It’s a new weekly column in which I will take to task a film that has gotten more than its fair share of success and praise, and then champion a related film that comparatively gets little play. This isn’t necessarily to say that the first film is bad and the second one good, just that the disparity in love between the two is a wrong that needs to be righted. But if you choose to believe that what I’m writing is more mean-spirited and antagonistic than intended, that’s fine with me too. Let’s spar in the comments; I could use the attention. For our inaugural column we’ll be looking at John Hughes’s 1985 detention drama The Breakfast Club, a film that the teenagers who work for me still mention as being a classic, and David Seltzer’s 1986 nerd meets girl movie Lucas, a film that I can’t get a darn one of those kids to give a chance.

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