Lovely Molly

The Best Horror Movies of 2012

Another year has come and mostly gone and hundreds, if not thousands, of young, stupid, misbehaving teenagers have been lost at the hands of ghosts, apparitions, psychos, monsters, animals, and families with strange murder dynamics. Like any responsible site, it’s now our job to look back on a year of cinematic chaos and movie madness and sort all of this into an easy digestible list full of horrors! And family films! Because really, 2012 in horror wasn’t all that violent, but it was reflective and satisfying in a familiar way. Onward!

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Welcome back to This Week In Discs! As always, if you see something you like, click on the image to buy it. Searching for Sonny Elliot reluctantly heads home for his ten-year high school reunion, but instead of the expected disappointments he discovers a missing friend, a murder and a mystery. Writer/director Andrew Disney’s feature debut is an indie rarity in that it’s as funny as any big screen comedy. The laughs come in part due to Disney’s sharp and witty script, but credit should also go to the main cast of Jason Dohring, Nick Kocher and Brian McElhaney. The trio has a smooth and perfectly timed chemistry together, and they help make the film a joy to watch. The lovely Minka Kelly helps in that department as well. [Extras: Commentary, additional scenes, bloopers, featurettes] Also available on Blu-ray.

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My memories of seeing The Blair Witch Project in theaters are vivid – after launching one of the first viral campaigns to utilize the Internet to perpetuate a false mythology that felt real, the modern papa of the shaky-cam found-footage way of storytelling exploded on to the screen. And by “exploded,” I mean that it gave me a huge headache and provided a couple moments of genuine terror, which is still pretty much par for the course on found fauxtage flicks. Blair Witch co-writer and co-director Eduardo Sanchez never quite managed to translate the popularity and innovation of the film into his other works – smaller horror films that fell by the wayside. But his latest film, Lovely Molly, could potentially reestablish Sanchez as a horror director to watch. The film’s plot is a basic one – it centers on Hannah Lodge‘s Molly, a “troubled” woman with secrets to spare – and some sort of evil lurking inside of her. The film looks to break out some standard horror elements – a creepy house, weird noises, unexplained occurrences – presented by way of a mix of regular cinematic lensing and some found footage/POV shots. That could just work.

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There’s a solid chance that you haven’t heard of most of these movies. Yet they exist – out there somewhere as a thorn in the side of movie fans trying to see as much as possible. Nuggets of potential waiting to be picked up from the movie orphanage by a distributor and given a warm home with cup holders in every seat. The European Film Market is fascinating for that reason and for the way people attend it. Tickets this year were around $600, but that’s a reasonable price for companies sending representatives trying to find the next moneymaker for their company or the hot movie to bring to their festival. That means screenings come complete with people on cell phones and unimpressed buyers walking out after ten minutes to hustle next door to see if the other movie playing has any promise to it. It’s a bizarre way to watch movies, but it makes a kind of sense given the massive size of the movie list compared to the tiny amount of time to see everything. There were upwards of 675 movies in the EFM this year, all of them with their own selling points. Here are the 87 most interesting-sounding with descriptions found in the official catalog. For the most part, I haven’t seen these movies (and didn’t even know about many of them until the Berlin Film Festival), but they all have something going for them that should earn them a spot on your radar.

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Last week the programmers for this year’s Toronto International Film Festival introduced the main course of this year’s festival lineup, fifty-three films from all over the world, big and small, about any number of subjects. The list was so impressive I ran out and booked a hotel room. So, now that I’m financially locked in to heading up to the city of David Cronenberg and that rapper who called himself SNOW, I’ll be following future announcements by the festival pretty closely. Today brought a big one. Adding to their initial lineup of films, TIFF has added a bunch of documentary works by fairly large documentary filmmakers and a bunch of genre works from fairly deranged genre filmmakers. First let’s take a look at some of the docs. Thom Powers is the lead programmer for documentaries, and about this year’s lineup he said, “I’m thrilled at the large number of veteran filmmakers who have brought us new works this year. The line-up contains a wide range of memorable characters – crusaders, convicts, artists, athletes, nude dancers, comic book fans, dog lovers and more. Not to mention the epic 15-hour Story of Film. These documentaries will have audiences discussing and debating for months to come.” I don’t think I’ll have time for that fifteen hour one, I’ve only got five days in the city, but the one about nude dancers is definitely on my docket.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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published: 12.15.2014
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