Lou Gossett Jr.

Over Under - Large

In 2011, director Tate Taylor adapted Kathryn Stockett’s novel “The Help,” a story about the relationship between the wealthy whites and the poor blacks who raised their children of 60s-era Mississippi, into a feature film. When all was said and done, Taylor’s film made nearly ten times its production budget, was nominated for a truckload of awards (including 8 NAACP Image Awards and 4 Academy Awards), and had everyone’s aunts and grandmas talking their ears off about how much they wanted to go see it. To say that it ended up being a success would be something of an understatement. The Landlord is the debut of director Hal Ashby, one of the great ’70s filmmakers who, for some reason, doesn’t get the same recognition as many of his contemporaries. It earned Lee Grant a nomination for Best Supporting Actress back in the day, but it’s a film (like most of Ashby’s work not named Harold and Maude) that’s been generally forgotten over time. This is strange, because not only is it a great film that pushes some racial hot-buttons, but it also features a couple of actors who went on to do big things in Beau Bridges and Lou Gossett Jr.

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Sitting at a formidable and weighty 98% on Rotten Tomatoes is legendary director Martin Scorsese’s Raging Bull, a biopic of Jake LaMotta, a 40s era boxer who was nicknamed “The Raging Bull” because of his short fuse and aggressive style in the ring. Michael Ritchie isn’t a legendary director. Despite the fact that he’s made movies like The Bad News Bears and Fletch, I’ve never even heard someone bring his name up in a conversation. And his attempt at a boxing movie, 1992’s Diggstown, is sitting at a paltry 54% on Rotten Tomatoes, derided and then forgotten by a cruel world unwilling to look past the ridiculous shirt and tie combinations James Woods wears in the film. This injustice will not stand.

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published: 12.19.2014
A-
published: 12.18.2014
C-
published: 12.17.2014
B+


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