Lina Wertmuller

Italian auteur Lina Wertmüller is in a category all her own. After working as an assistant director for Federico Fellini on 8½, Wertmüller began a directing career that established her as a confrontational, no-holds-barred artist. Her films often mixed sex and violence, as well as humor and dark themes, to disturbing, challenging, and mesmerizing effects. She didn’t do this in the name of exploitation, or to deliberately discomfit her audience, but to illustrate how comedy and tragedy in life are often inseparable, and the all-too-comfortable categories that distinguish them in film genres are far too convenient to reflect this reality. Wertmüller’s best-known works are the international hit Swept Away (1974, but unfortunately better known today for the failed Guy Ritchie/Madonna remake) and the astounding Seven Beauties (1975), a film about a fascist-sympathetic Don Juan who spends time in a German concentration camp and attempts to seduce the camp’s imposing female officer-in-charge in order to gain food and, perhaps, freedom. Seven Beauties gave Wertmüller the distinction of being the first-ever woman nominated for the Best Director Oscar. It also provided a nomination for its star, Giancarlo Giannini (perhaps best-known today for his supporting roles in Casino Royale and Quantum of Solace), who starred in many of Wertmüller’s films as her bumbling, promiscuous muse. Now, three previously unavailable films by Wertmüller, The Seduction of Mimi (1972), Love & Anarchy (1973), and All Screwed Up (1974), have been made available in a DVD box set and separate Blu-Ray releases from Kino Classics. These […]

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Criterion Files

One of the unwritten wish-fulfillment articles I’ve had in mind for Culture Warrior that nobody will ever read is an overview of cinematic adaptations of the work of the Marquis de Sade, including anything ranging from an early cinematic adaptation of his work in the landmark Surrealist film L’Âge d’Or to his comparatively more mainstream embodiment by none other than Geoffrey Rush in Quills to osbsure examples from all over the globe like Czech filmmaker Jan Svankmejer’s part-live-action/part stop-motion animation film Lunacy. At the center of this hypothetical list, of course, would be arguably the most famous and easily one of the most divisive adaptations of de Sade’s work, and one of Cole Abaius’s all-time favorite films, Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom (1975).

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This week’s Culture Warrior helps you fill out your Netflix queue.

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This week, on a very special episode or Reject Radio, Landon Palmer attempts to explain why his fascination with nun orgies hasn’t gotten his Masters degree taken away from him.

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