limited release

The L.A. Times is reporting that Roland Emmerich’s latest film, Anonymous, set to open in theaters on October 28th, isn’t going to be playing on as many screens as originally planned. The film was at first slated to get a full-on wide release on thousands of screens, but after some pre-release polling showed that nobody really wants to go see this thing, Sony Pictures has decided to scale back the number of screens it will be showing on to 250. The public seems to really love Roland Emmerich, so I can only imagine the lack of interest in the film comes from the fact that it’s about Shakespeare and not New York City blowing up. Sony hasn’t lost all hope for the project’s success, though, as their distribution president Rory Bruer said of the move, “We love the picture and think it’s going to get great word of mouth. We’re committed to expanding it until it plays wide.” The plan is to open the movie in the biggest markets, trick people into forgetting how much they hated reading Shakespeare in high school with movie magic, and then open in the ‘burbs sometime in November after everybody has heard about how much this movie rules and how badly they need to go see it for a couple weeks. That’s a pretty ambitious plan. This better be a damn good movie.

read more...

‪Every week, Landon Palmer and Cole Abaius log on to their favorite chat client of 1996 as ClairesKneeFan and THXForAllTheFish1138 in order to discuss some topical topic of interest. This week, the two finally manage to answer last week’s question while reveling in the continuation of Sundance and the totally old revolutionary model of distribution that Kevin Smith wants the world to take note of. But instead of wasting more internet words on Smith, the question is far simpler and far too high concept to attempt without some Sandlot references: Is the movie distribution system really broken?

read more...

Landon Palmer explores the nature of the Oscar nominated film The Hurt Locker, and the right of critics to call it an art house film.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3