Law & Order: SVU

Boiling Point

It seems that we are living in a golden age of television. With shows ranging from Mad Men to Game of Thrones or Modern Family to Dexter, Breaking Bad, or anything else garnering epic amounts of hype, one might view Battleship or its ilk and come to the conclusion that TV is better than the movies. James Wolcott at Vanity Fair came to that conclusion, as did the folks at IndieWire (although Cole took a somewhat different stance). Of course everyone is entitled to their opinion, no matter how wrong it is. While there is certainly a lot of great television out there, the theater experience still trumps all. Television will never usurp the cinema just as crude sex robots will never usurp hookers. When someone wants to describe a really great looking television show, they say it “feels like a movie.” No one ever describes great films as “being like television.” Television aspires to be film and in some instances, comes close. Film, safely perched on its tower, has no desire to be more like TV.

read more...

Ten years ago the Law & Order franchise was the king of the cop show castle with the mother ship at the peak of its ratings dominance, Law & Order: SVU well into a successful third season and the new series Law & Order: Criminal Intent finishing up a successful freshman year. All seemed well in the world that Dick Wolf had birthed, but everything was starting to change. In the following ten years, the unstoppable force that was the mother ship series was cancelled after a hefty twenty-year run (had it gone on for one more season it would of surpassed Gunsmoke as the longest running scripted drama on television), Criminal Intent dropped in ratings and was forced to shift to the USA Network, new spin-off series Trial By Jury and Conviction were ratings bombs and the monstrosity of this past year known as Law & Order: LA was, well, a monstrosity. The only glimmer of hope the franchise had left lied in the hands of Benson, Stabler, Fin and the rest of the Special Victims Unit. The question is whether that’s a hope they should hold on to.

read more...

This editorial contains spoilers for the season finale of Special Victims Unit so consider yourself warned. Before continuing with this piece I want you to take a long, hard look at the screencap below. Now sit back for a moment and take in everything that’s happening at that moment in time. Two dead bodies are on the floor, Olivia is over one and Elliot is over the other. Three dead bodies in the cage, Fin is on the phone trying to get EMS to the station, cops are running left and right trying to make sense of the chaos, and through it all we all know that we will return to the Special Victims Unit in September and it will be like nothing happened. But none of the characters in that moment will forget what they’re witnessing right now. And that’s the beauty of Law & Order: SVU and why it’s one of the standards of how to do episodic television the right.

read more...

With premiere week over I’ve compiled a list of the week’s top premieres from each night. The winner of each night is based upon the quality of the writing, the shows entertainment value and if it’s a new series, the shows sustainability. This year had some extremely heavy hitters and some of the best performances we have seen on the small screen. So without further ado, here are the winners of the FSR Fall 2010 Watch List (please note that this list only applies to shows that started before or during the week of September 19th). Sunday: Boardwalk Empire In what should come as no surprise, Boardwalk Empire was top dog on Sunday. I’m not big into period pieces which is why I really never got into Mad Men, but Scorsese has made me fall in love with the 20′s and Atlantic City. Steve Buscemi is a great lead and a guy I can’t wait to watch every week. If only Scorsese could direct every episode and not just the pilot.

read more...

Well, we’ve reached the middle of the week. Wednesday night has been home to many beloved series over the years. A night filled with shows that range from the hysterical to the dead serious, Wednesday is one of the best nights for television. This year is no exception. With more of the same coming down the pipeline from all networks. So put the kids to bed, break out that week old Outback Steakhouse left over, and refresh the DVR batteries because here comes Part IV of the FSR Fall 2010 Watch List.

read more...
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Comic-Con 2014
Summer Box Office Prediction Challenge
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3