Law and Order

For years now NBC has laid dormant in fourth place behind CBS, ABC and FOX. The decline was slow and gradual, but once it became the butt of every Leno/Conan joke and started showing in the networks programming, it became clear that NBC was in a bad place. Then a glimmer of hope shined through, after years of mismanagement at the hands of Jeff Zucker, the network president was kicked out by new parent company Comcast who took over the majority share of NBCUniversal from General Electric this past year. The new bosses first move? Hire people that won’t just seal the cracks in the wall, but instead will take a sledgehammer to the house and build a new one from the ground up. The result? The hiring of former Showtime president Robert Greenblatt. Greenblatt is the man responsible for shows like Weeds, Dexter and Nurse Jackie. So for the first time in years, it looks like NBC has someone behind the wheel who has mastered the art of precision driving. And that bring us today and the recently announced fall 2011-2012 schedule. A schedule that is a… re-tooling to put it lightly. As new Broadcasting Chairman Ted Harbert said at the upfront on Monday, the schedule is “a little less reinvention of the wheel and a lot more Broadcasting 101″ which is probably the best way to describe it. Because what it appears is that the fourth place network is finally embracing the two words they have avoided for years “counter-programming.”

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Continuing with our on-going coverage of all things TV for the next few days, NBC has made yet another pick up announcement for four more series orders. The four pilots that have been picked up to series are “Are You There, Vodka? It’s Me, Chelsea, starring Laura Prepon, Free Agents, starring Hank Azaria, Bent, starring Amanda Peet, and BFF (formerly Best Friends Forever)” according to TV By The Numbers. The astute reader will notice that all of these series are comedies. Could NBC be planning another day worth of prime time comedy in addition to their already stacked Thursday night comedy block? It’s looking very likely. As for the cancellations? The peacock has decided to finally pull the plug on the god awful demon spawn that is The Event. The show has been an absolute mess since day one with a forcefully, and annoyingly convoluted plot. Let this failed show be a sign to all other networks, just because one sci-fi show is successful (LOST), doesn’t mean all of them will be. Of course, that’s not all that got cut.

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Although certain politicians and even scientists will suggest otherwise, most agree our basic human desire for sex remains pretty unchanged. Over the centuries we’ve acknowledged that ladies like it just as much as the men folk, both sexes can be completely uninterested, and there’s also the possibility that same sex lovers getting down and dirty isn’t, in fact, dirty. Every new generation accepts something as tame that the previous generation thinks taboo. My mother finds the practice of bondage troubling, but the idea is ordinary to me. Whereas I don’t quite understand her fascination with the word “slutpuppy” because that’s just ooky. I’m not saying one generation is better than the other, I’m more curious about how we got to the place we are. I am pretty in tune with the going-ons of Gwen, so I have no problem pinpointing a lot of my sexual identity development happening simultaneously with the films and TV that I watched in the 90s. Thinking back, the 90s stand out to me as a hodgepodge decade when it came to sex in film. We had the renewal of romantic melodramas as a reaction to the social commentary-filled erotic thrillers of the 80s, the depiction of realistic sex in comedies, and the rise in popularity of rape culture. Of course all these themes wouldn’t have been possible without the decades before them, but something happened in the 90s that made sex seem pleasurable through love, humor, and invasion.

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Boiling Point

With the ubiquity of crime scene investigation on television these days, odds are you’ve watched a few either out of interest, boredom, or just giving up on finding something on air that didn’t involve super smart, super attractive lab geeks. Whether you’re talking about Law & Order, CSI: Insert City, Dexter, or any number of others, the game remains the same: pretty people touching ugly things. When one touches ugly things, be it SVU styled semen-stained sheets or a room soaked in blood, you’ve got to protect your manicured hands: enter the rubber glove. Meant to keep all that nasty goo off of your hands for many reasons: cleanliness, sanitary reasons, disease protection, fetishism. From the Coroner in Castle to Dexter on Dexter, in any hour of television you’ll probably see someone slip on the glove. Then you’ll probably see them contaminate all sorts of shit.

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One of the longest running dramas on television just got canceled. Will you miss it when it’s playing 11 times a day on TBS?

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Today we talk (photo)shop on the blatant retardation present in the “digital crime lab” and their ability to enhance any cell phone image.

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Robert Fure knows you’ve come to this site just to read this column. Who told him? You did. Just now.

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On any given day at any given time, you can probably find an episode or three scattered on any of the three syndicated network pickups. That being said, why would you ever need to own them on DVD?

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