Lauren Ambrose

adam driver archangel

This is another edition of Short Starts, where we present a weekly short film(s) from the start of a filmmaker or actor’s career. Even though he’s only in the film for a few minutes, Adam Driver is one of the most talked-about actors in the Coen Brothers’ Inside Llewyn Davis. Of course he is, because when he’s on screen you can’t look at anything else. It’s that combination of rugged handsomeness and gigantic freakishness that captures your attention, and a lot of it has to do with our familiarity with him being almost solely from his role on Girls. This year he also got to break out a little more with Frances Ha, but he’s still fairly new to acting, having been a United States Marine just over a decade ago. Really, he’s had a fast rise to a scene stealing bit part in a Best Picture hopeful (and I might actually be referring to last year’s Lincoln, or maybe the previous year’s J. Edgar?), since he only graduated from Julliard in 2009. It was that year that he scored his first screen credit in an episode of The Unusuals. In 2010, he acted in a pilot for an HBO series called The Wonderful Maladys, which wasn’t picked up. But he did wind up on the channel with the movie You Don’t Know Jack, his first feature. Not his first film, though. That would be a short that debuted a few months earlier titled Archangel.

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Editor’s note: Festival favorite Sleepwalk With Me hits limited release this week, so what follows is a re-run of our Sundance review of the film, originally posted on January 27, 2012. Kate loved the film so much that she saw it again just two months later at SXSW. From its very first moments, Mike Birbiglia‘s Sleepwalk With Me establishes a very specific relationship with its audience – Birbiglia, playing a version of himself, turns to the camera and reassures us that what we’re about to hear is indeed true, and then he makes us laugh. Birbiglia is a stand-up comedian, writer, and actor, and Sleepwalk With Me is his directorial debut, which is loosely based on his own life. A mix of painful personal stories about a failing relationship, try-and-fail outings at his primary career, and the unraveling of his life by way of a serious medical condition (yup, sleepwalking), the film is (genuinely) both hilarious and heartfelt. Birbiglia directed, co-wrote, and stars in the film. Which is based on his one-man show of the same name and his 2010 comedic memoir, “Sleepwalk With Me and Other Painfully True Stories.” Which probably all sounds incredibly self-indulgent, but it’s not, because Birbiglia is more than willing to make himself look like a loser and an asshole and untalented wanker (even though he’s none of those things). At one point, during one of his conversations with the audience and before the recounting of a particularly painful and embarrassing tale, Birbiglia reminds us that we’re on his side. It’s […]

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This is about to get very specific to my own personal tastes, so bare with me. Today brought us two separate reports that, when combined, put two people that I enjoy watching immensely into the same film. DC Pierson, of Derrick Comedy and Mystery Team fame, and Cobie Smulders, of How I Met Your Mother fame, have both joined the upcoming Stephen Gyllenhaal directed political comedy Grassroots.

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Kevin Carr takes a look at this week’s movie releases, including Where the Wild Things Are, Law Abiding Citizen and The Stepfather.

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I loved Where The Wild Things Are. It’s a reminder that life as a kid is magical and difficult, so I’ve pinpointed seven reasons why I personally fell in love with this film.

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If Starting Out in the Evening were much shorter, it would be more easily forgivable.

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