Kyle MacLachlan

Dune Movie

Anyone who knows David Lynch’s work is familiar with his penchant for messing with the audience. One only has to look at how he ended his popular series Twin Peaks, or pretty much any part of the mind-bending Eraserhead, to realize this. Even though in the early 1980s, Lynch had been courted as a potential director for some major films (including Return of the Jedi… wouldn’t you have liked to see the Ewoks in that version?), he had his big studio break with the adaptation of Frank Herbert’s Dune. While it was a commercial and critical failure, Dune also represents Lynch’s subversive filmmaking nature, more than some people even realize. At the time, Hollywood was looking for the next Star Wars, much like how they are furiously searching for the next Hunger Games now with films like Divergent and The Maze Runner. Dune had been in development since the early 1970s, and it finally got off the ground with Lynch at the helm. Lynch was a bold choice for the film, considering he was handed a massive potential franchise when he was known for more intimate and often obscure and surreal personal films. Ultimately, Lynch made a film that ensured a sequel was impossible, and that was a brilliant though almost career-ending move.

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Brian De Palma’s Passion, as alluded to in this review, teeters on a level of badness that, in turn, becomes camp. This female-vs.-female rivalry film with strong Sapphic overtones and a constant back and forth of ludicrous backstabbing can’t help but draw comparisons to Paul Verhoeven’s “epic,” Showgirls. Without revealing too many spoilers, below is a list of categories with which to pit the two films against each other in a brutal cat fight. Will the newcomer reach the near-impossible Razzie-winning, midnight screening heights of the Paul Verhoeven disaster? Let’s find out with these seven totally scientific, head-to-head category comparisons!

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Sex and the City

I’m not quite sure why I decided to watch Sex and the City in its entirety. It could have been my curiosity about the show, or my desire to put Sex and the City 2 in some fair context in an Internet blogging landscape overwhelmingly composed of male writers and male readers, or maybe I was seeking out some sort of endurance test…or maybe all these are lame excuses to shamelessly justify watching a show that one would so easily encounter ridicule for watching.

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