Killing Them Softly

After literally days of rampant speculation and fanciful rumor-spreading (on my part), this year’s official line-up for the Cannes 2012 Film Festival has officially been unveiled by officials in the South of France. Officially. Unsurprisingly, and as predicted, my own 13 film wishlist was largely completely wrong – but I did predict a massive four (including the absence, thankfully, of Terrence Malick), and in my defense, Michael Haneke’s Love was the 14th film on my list until I decided to oust it for timing reasons. Brad Pitt, Robert Pattinson and Tom Hardy will battle each other as Killing Them Softly (the awfully renamed adaptation of Cogan’s Trade), Cronenberg’s Cosmopolis and the other needlessly renamed flick, Lawless (why not just keep it as The Wettest County?) compete for the Palme d’Or.

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When we’re introduced to Richard Jenkins and Bradley Whitford‘s white-collar characters in the opening scene of The Cabin in the Woods, it becomes wildly apparent Drew Goddard‘s film is not your typical horror picture. They’re tasked with delivering an exceptional amount of exposition, which Goddard and Joss Whedon let them deliver with a pure sense of glee. Unlike Jenkins’s previous horror film performance, The Father in Let Me In, this is a character who is about as Average Joe as they come, and he just happens to have a not-so-Average-Joe occupation. Here’s what Jenkins had to say about comedic exposition, the brilliance of unexpected filmmaking, and why his character Ted in Burn After Reading deserved getting axed to death:

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Consider this a bit of friendly advice – get on the Scoot McNairy train now. The actor has been steadily working in Hollywood for over a decade, with roles in film and television projects as varied as Herbie: Fully Loaded and The Shield, but he’s best known for his break-out role in Gareth Edwards’s 2010 indie gem, Monsters. Since then, McNairy has collected a series of interesting roles from a variety of filmmakers that should (and, if Hollywood has any sense, will) make a household name out of him. McNairy will next be seen in Andrew Dominik’s Killing Them Softly (the project formerly known as Cogan’s Trade) and Ben Affleck’s Argo. Not too shabby, right? Let’s just go ahead and add two more high profile roles to McNairy’s resume – Deadline Mexico City reports that he’s signed on for a supporting role in Gus Van Sant‘s Promised Land and the lead male role in Lynn Shelton‘s Touchy Feely. All aboard the McNairy Express.

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