Writer/director James DeMonaco seized the attention of film fans last summer with the darkly alluring premise of The Purge, earning an unpredicted $34 million domestically on its opening weekend. Logically, a sequel was born, bearing the challenge inherent to every successful film’s sequel: topping the first one. For DeMonaco, this wouldn’t be too difficult. The Purge followed only one, well-off family, locked up in their home, leaving the rest of the grisly purging world unexplored. The Purge: Anarchy takes us there – to downtown Los Angeles over the 12-hour course of an Annual Purge night. The film opens with three sets of characters whose stories intersect quickly. There’s fiscally struggling mother Eva (Carmen Ejogo) and daughter Cali (Zoë Soul); separating couple Shane (Zach Gilford) and Liz (Kiele Sanchez); and lastly, soul-cleansing, vengeful Leo (Frank Grillo). These five characters find themselves on the streets for radically different reasons, but they promptly form a desperate alliance. Leo falls naturally into the leader role, and though the rest of the group unanimously considers him morally ambiguous, they don’t have much of a choice. Plus – he’s got guns. A lot of guns. They make their way from skirmish to skirmish, flattening their bodies against buildings and scampering through alleyways, and are witness to the merciless purgers, the unfortunate victims and a group of purge-opposing rebels inspired by their enigmatic leader Carmelo (Michael K. Williams).