Kenneth Lonergan

The Hobbit at Comic-Con

What is Movie News After Dark? Most nights, it’s an innocent bystander in the world of film and television. Reporting the news from around the industry. Tonight, it gets sucked into Comic-Con mayhem. Who knows, by tomorrow it may be wearing a mask… We begin this evening with a shot of Hobbit trolls from the Comic-Con floor, as tweeted by the folks @Dolby. As preview night kicks off in San Diego, we’d like to wish all of our readers traveling toward Comic-Con safe travels and the best of luck. You’ll be needing it, as we’ve set both Brian Salisbury and Robert Fure loose on the city.

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After all these years of Margaret being stuck in legal and release limbo, it wouldn’t have been surprising if Kenneth Lonergan‘s (subtle) post-9/11 film turned out to be a misfire. All the turmoil made it doubtful that we’d ever get the masterpiece that Scorsese and many others claimed Lonergan’s film to be. The final, two-and-a-half-hour cut — which is unfortunately being dumped on a few screens — actually features hints of that masterpiece. Those hints, ultimately, make for a messy-yet-poignant dramatic opera about the power of regret, loss, and worst of all, being a teenager. Lonergan aims high in a way that, even if Margaret was a disaster, it’d still be an admirable (but failed) passion project. This isn’t that film, though. The playwright’s tremendous You Can Count on Me was small-scale, but full of power. His follow-up attempts to operate on a grand-scale, and it contains most of the power exhibited in his directorial debut.

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This year, movies like Battle: Los Angeles, I Am Number Four, Hoodwinked 2 (did anyone even see the first one?), another Tyler Perry movie, Red Riding Hood, and the Justin Bieber documentary all easily made their way into theaters. Know what hasn’t come out this year (or the past couple) while films like Something Borrowed get their big studio pushes?  Margaret. Kenneth Lonergan‘s follow-up to his brilliant debut, You Can Count on Me, has had a notoriously rough time making it to theaters, both due to legal issues and a dispute over final cut. The film was shot almost six years ago. The editing process has been called a nightmare. Lonergan has a three-hour cut that Fox Searchlight isn’t too keen on releasing. Why? Because they won’t release a version over two hours long. Lonergan has final cut, which hasn’t made the situation any easier. Great talents such as Thelma Schoonmaker, Martin Scorsese, Scott Rudin, and Sydney Pollack did passes on the film to get it down to a shorter length. And right now, Scorsese is doing another edit of the film with Lonergan.

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published: 10.30.2014
B-
published: 10.29.2014
D+
published: 10.27.2014
C-
published: 10.24.2014
C-


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