Kelly Reilly

Brendan Gleeson and Chris ODowd in Calvary

When you become a priest, and you’ve done so for purely innocent reasons, you’re probably under the impression that you’re in the clear for the rest of your life. You’re doing the lord’s work and keeping to yourself, so there’s really no reason to be in fear for your safety or think that anyone would want to target you for a crime. But them’s the brakes, Father. Anyone who studies the Bible should have a firm grasp on knowing that life isn’t fair. The first trailer for Calvary presents Father James LaVelle (Brendan Gleeson) attempting to do his job, listening to confessions of the weary and the sinning all day long. For those unfamiliar with the Catholic practice, the priest sits on one side of the confession booth, shrouded from view of the “sinner” on the other side of the panel (and that person remains anonymous to the priest, as well). The churchgoer then confesses all of her sins since the time of her last confession, and the Father assigns a prayer repentance and she’s forgiven of her sins in the eyes of the lord. Being Catholic is super easy.


Glengarry Glen Ross

What is Casting Couch? Quite simply, it’s a casting news round-up that takes its name from the place where young actors trade their dignity for a shot at fame. Today we learn who had to service Miss Piggy to get a role in her new film. When everyone thinks of James Foley’s 1992 film adaptation of David Mamet’s Glengarry Glen Ross, they think of a bunch of competitive men trying to tear each other’s throats out to get ahead, they think of Alec Baldwin’s testosterone-filled motivational speeches about how coffee is for closers, and generally they think about a bunch of macho posturing and heartless ambition. So Jason Reitman’s latest live reading of a Hollywood script should be fun, because it re-imagines Glengarry by giving it an all-female cast. Who’s he got? According to Inside Movies, his cast will consist of Robin Wright playing the Al Pacino role, Catherine O’Hara the Jack Lemmon one, Maria Bello the Ed Harris one, Allison Janney the Alan Arkin one, and Mae Whitman the Kevin Spacey one. A replacement for Baldwin has yet to be announced, but I think we can all agree that the dream casting would be Beyoncé. The reading takes place at the Los Angeles County Museum of Art on February 21.



Flight has without a doubt the best opening scene of any film in Robert Zemeckis‘ career. Granted, that’s due more to the glorious and fully nude form of Nadine Velazquez walking around a motel room while audiences pretend to be watching Denzel Washington than it is to the director’s myriad skills. Eye candy aside though the scene makes a bold and immediate statement that this is not your niece’s typical candy-ass, motion-captured Zemeckis fluff. Instead, this is going to be a return to form for a talented director rediscovering the dramas, moral complexities and adult themes possible with live-action filmmaking. If only someone had shared the plan with the film’s writer. Whip Whitaker (Washington) wakes after an all-nighter with a naked stewardess beside him, finishes off a beer and a line of coke, gets dressed and heads to work. He’s an airline pilot, and his morning flight is full and ready for takeoff. A possible mechanical failure causes a loss of control shortly after they leave the tarmac, but Whitaker’s quick thinking leads to an extraordinary maneuver and a controlled crash landing that results in minimum casualties. He’s immediately hailed as a hero, but when a routine investigation threatens to reveal the condition he was in while flying and send him to jail for life he discovers this is one impending crash he may not be able to control.



For anyone who has been clamoring for Robert Zemeckis‘s return to live-action, Flight should appease those fans of the director who haven’t embraced his recent motion-capture adventures. This isn’t exactly a triumphant comeback, but with Flight he mostly knows what buttons to push in order to please. It’s a true testament to Denzel Washington‘s performance that the blunt drama doesn’t fall on its face. Washington has major obstacles to overcome in making the character of Whip Whitaker as empathetic as he is. From frame one, Zemeckis and screenwriter John Gatins unflatteringly show us who this guy is: a bad father, an alcoholic, a coke addict. There is nothing to admire about him, not even his surface level charms, which are best showcased in scenes between Washington and John Goodman.


0.5 Skulls Out of 5

We continue our journey through a month of frightening, bloody and violent films. For more, check out our 31 Days of Horror homepage. Synopsis In a manner that suggests that they have never seen a horror film, a young couple – Jenny (Kelly Reilly) and Steve (the always excellent Michael Fassbender) – head for a romantic weekend break to a wooded area around a lake. After being interrupted by a gang of local teenagers on the lake-side, but ignoring them, the couple find themselves hassled and then ultimately terrorised by the group after Steve confronts them. The situation quickly spirals out of control, and is then hurled dead-long into the realms of horror when Steve accidentally kills a dog belonging to the leader of the gang Brett (played with typical menace by rising star Jack O’Connell), and he seeks bloody retribution.



Foreign Objects travels the world of international cinema each week to look for films worth visiting. So renew your passport, get your shots, and brush up on the local age of legal consent, this week we’re heading to… the UK!



Guy Ritchie and members of the cast of his upcoming film Sherlock Holmes were on hand in London today for a press conference to confirm casting and mark the start of principal photography on the film, which is set for release in 2010.

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published: 01.25.2015
published: 01.25.2015
published: 01.25.2015

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